Traces the entwined international legacy of revolutionary syndicalism and the communist movement. --From publisher description.

Narratives of anarchist and syndicalist history during the era of the first globalization and imperialism (1870-1930) have overwhelmingly been constructed around a Western European tradition centered on discrete national cases. This parochial perspective typically ignores transnational connections and the contemporaneous existence of large and influential libertarian movements in Africa, Asia, Latin America, and Eastern Europe. Yet anarchism and syndicalism, from their very inception at the First International, were conceived and developed as international movements. By focusing on the neglected cases of the colonial and postcolonial world, this volume underscores the worldwide dimension of these movements and their centrality in anti-colonial and anti-imperialist struggles. Drawing on in-depth historical analyses of the ideology, structure, and praxis of anarchism/syndicalism, it also provides fresh perspectives and lessons for those interested in understanding their resurgence today. Contributors are Luigi Biondi, Arif Dirlik, Anthony Gorman, Steven Hirsch, Dongyoun Hwang, Geoffroy de Laforcade, Emmet O'Connor, Kirk Shaffer, Aleksandr Shubin, Edilene Toledo, and Lucien van der Walt. With a foreword by Benedict Anderson.

Mazgaj traces the interaction between the syndicalist Left and the royalist Right in France during the period between the Dreyfuss affair and the beginnings of World War I. Some royalists turned to the Left to enlist support for replacing the Third Republic with a social" monarchy; the Left community was in such disarray that some syndicalists responded to the overtures of the Right. Mazgaj has ferreted out the intrigues taking place between the two groups." Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Combines social (Habermas) and cultural theory with history of major union in early twentieth-century France.

Part one of a two-part history of the non-Marxist, libertarian form of socialism, aka anarchism. From its origins in the 18th century and the conflicts with Marx in the First International to insurrections, trade unions and specific anarchist organisations, the hidden history of an alternative tradition is revealed. The ideas about socialism so prevalent today, that it equates with state ownership, that is the perogative of the Party, that it has somehow failed, are all dismantled in this scholarly engagement with a complex ideology.

The aesthetic politics of social movements turn public life into a public stage, where mutual displays of performance often trump rational debate, and urban streets become sites of festivals and carnival. In his penetrating new book, Workers of the World, Enjoy!, Kenneth Tucker provides a new model for understanding social change in our image-saturated and aesthetically charged world. As emotional and artistic images inform our perceptions and evaluation of politics, art and performance often provide new and creative ways of understanding self and society. Spanning the nineteenth, twentieth, and twenty-first centuries, Workers of the World, Enjoy! uses examples from major social movements that have dramatically changed the dominant capitalist society—often in the name of labor. Tucker investigates how class and culture develop as he raises questions about what it means for public life and social movements when politics and drama come together. Tucker catalogues how aesthetic politics influences social movements—from French Revolutionary syndicalism and fascism to the selling of the President and the street theater of the contemporary global justice movement. He also discusses the work of political theorists including Jurgen Habermas, Jeffrey Alexander, and Nancy Fraser to critique the ways public sphere has been studied.