Readins in high & low

Cosmopolitanisms and the Jews adds significantly to contemporary scholarship on cosmopolitanism by making the experience of Jews central to the discussion, as it traces the evolution of Jewish cosmopolitanism over the last two centuries. The book sets out from an exploration of the nature and cultural-political implications of the shifting perceptions of Jewish mobility and fluidity around 1800, when modern cosmopolitanist discourse arose. Through a series of case studies, the authors analyze the historical and discursive junctures that mark the central paradigm shifts in the Jewish self-image, from the Wandering Jew to the rootless parasite, the cosmopolitan, and the socialist internationalist. Chapters analyze the tensions and dualisms in the constructed relationship between cosmopolitanism and the Jews at particular historical junctures between 1800 and the present, and probe into the relationship between earlier anti-Semitic discourses on Jewish cosmopolitanism and Stalinist rhetoric.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

Once at the corner of the study of politics, emotions have receded into the shadows, with no place in the rationalistic, structural and organisational models that dominate academic political analysis. These essays reverse the trend.

Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.

Robert Biel's Eurocentrism and the Communist Movement traces the history of Eurocentric--and anti-Eurocentric--currents in the Marxist-Leninist tradition, arguing that this distortion was key to the development and spread of revisionism, and ultimately to the failures of the communist project, in the 20th century. A work of intellectual history, Eurocentrism and the Communist Movement explores the relationship between Eurocentrism, alienation, and racism, while tracing the different ideas about imperialism, colonialism, "progress", and non-European peoples as they were grappled with by revolutionaries in both the colonized and colonizing nations. Teasing out racist errors and anti-racist insights within this history, Biel reveals a century-long struggle to assert the centrality of the most exploited within the struggle against capitalism. The roles of key figures in the Marxist-Leninist canon--Marx, Engels, Lenin, Stalin, Mao--within this struggle are explored, as are those of others whose work may be less familiar to some readers, such as Sultan Galiev, Lamine Senghor, Lin Biao, R.P. Dutt, Samir Amin, and others. In pursuit of the anti-racist and anti-colonial goal, Biel has made an important contribution to understanding the development of Marxist thought in the 19th and 20th centuries, with strategic implications for our current revolutionary project.

This book demonstrates exactly how the corporate rich developed and implemented the policies and government structures that allowed them to dominate America in the 20th-century. Written with unparalleled insight, Domhoff offers a remarkable look into the nature of power during a pivotal time, with added significance for the current era.