Winner of the 1999 Michael C. Meyer Manuscript Prize! This new book examines the social protests of popular groups in urban Mexico during and after the Mexican Revolution and also shows how the revolution inspired women to become activists in these movements. Andrew Grant Wood's well-researched narrative focuses specifically on the complex negotiation between elites and popular groups over the issue of public housing in post-revolutionary Veracruz, Mexico. Wood then compares the Veracruz experience with other tenant movements throughout Mexico and Latin America. He analyzes what the popular groups wanted, what they got, how they got it, and how the changes wrought by the revolution facilitated their actions. Grassroots organizing by house-renters in Veracruz began at a time of 'multiple sovereignty' when ruling elites found themselves in a process of regime change and political realignment. As the movement took shape, tenants expanded their opportunities through a dynamic repertoire of public demonstration, direct action, networking, and constant negotiation with landlords and public officials. During the height of the movement, protesters forced revolutionary elites to respond by requiring them either to negotiate, co-opt, and/or repress members of independent grassroots organizations in order to maintain their rule. The tenant movements demonstrate how ordinary women and men contributed to the remaking of state and civil society relations in post-revolutionary Mexico. This book analyzes the critical roles that women played as leaders and as rank-and-file agitators to keep the movements alive. The author has used a wide variety of primary sources to provide a vibrant portrayal of these urban social protesters. On a larger scale, this book shows that the voices of the urban poor were able to become part of the revolutionary dialogue and ideology. While others have highlighted the role of rural folk such as the Zapatistas, this work allows readers to appreciate the urban side of the po

Enghelab Street, or Revolution Street, is located in the center of the Iranian capital Tehran--a main artery in the city's cultural life with a host of bookshops. This book presents a variety of rarely seen photographic and propaganda books collected by Iranian-born, Paris-based artist Hannah Darabi (born 1981), drawing on works published between 1979 and 1983--years corresponding to the short period when freedom of speech prevailed at the end of the Shah's regime and the beginning of the Islamic government. Darabi takes us to the heart of an intense artistic and cultural period in Iranian history in a visual essay accompanied by a critical essay by Chowra Makaremi. With its revelatory landscape of publications, Enghelab Street gives us the opportunity to look at rare printed matter for the first time.

Is protest broken? Micah White, co-creator of Occupy Wall Street, thinks so. Disruptive tactics have failed to halt the rise of Donald Trump. Movements ranging from Black Lives Matter to environmentalism are leaving activists frustrated. Meanwhile, recent years have witnessed the largest protests in human history. Yet these mass mobilizations no longer change society. Now activism is at a crossroads: innovation or irrelevance. In The End of Protest Micah White heralds the future of activism. Drawing on his unique experience with Occupy Wall Street, a contagious protest that spread to eighty-two countries, White articulates a unified theory of revolution and eight principles of tactical innovation that are destined to catalyze the next generation of social movements. Despite global challenges—catastrophic climate change, economic collapse and the decline of democracy—White finds reason for optimism: the end of protest inaugurates a new era of social change. On the horizon are increasingly sophisticated movements that will emerge in a bid to challenge elections, govern cities and reorient the way we live. Activists will reshape society by forming a global political party capable of winning elections worldwide. In this provocative playbook, White offers three bold, revolutionary scenarios for harnessing the creativity of people from across the political spectrum. He also shows how social movements are created and how they spread, how materialism limits contemporary activism, and why we must re-conceive protest in timelines of centuries, not days. Rigorous, original and compelling, The End of Protest is an exhilarating vision of an all-encompassing revolution of revolution.

This projected ten-volume edition of Mao Zedong's writings provides abundant documentation in his own words regarding his life and thought. It has been compiled from all available Chinese sources, including the many new texts that appeared in 1993, Mao's centenary.

Esteya is fifteen. As war rumbles closer, Esteya's brother - an important figure in the Revolutionary Communist Party - is able to protect their family from the worst of the privations of war. Then Esteya meets an extraordinary girl, Skizi, an outcast, shunned by all. But Esteya and Skizi are drawn to each other. Slowly and wonderfully love blossoms ... And then Esteya's family are betrayed and forcibly taken away. Skizi disappears.Esteya is left deserted, heartbroken and in terrible danger. But she must find a way to escape - and to find Skizi.