[Furrow's] proposals are fresh - he urges liberals to develop 'a more substantial moral identity' and win a few battles in the values war by building upon their 'inherent culture of caring,' repackaging the conservative movement's successful tactics for the Left.- Publishers WeeklyIn this fresh assessment of the liberal perspective on politics, philosopher Dwight Furrow explains how liberalism lost its moral credentials in the face of challenges from conservatives. He articulates a new way of understanding the moral foundations of liberalism that will restore its political fortunes along with America's shattered moral authority. A work of popular philosophy, Reviving the Left is written in a serious but lively, engaging, and often polemical style.Furrow begins by noting that political ideologies have the power to motivate people because they embody conceptions of how to live. Conservatives have understood this more clearly than liberals, who for too long have relied on bureaucratic solutions and interest-group politics, which have lacked moral credibility and passion. Now more than ever, says Furrow, progressive politics, if it is to move people hungry for change, needs a new vision that will give birth to a more substantial liberal moral identity.Furrow takes conservatism to task for promoting what he labels a culture of cynical, violent narcissism. But rather than praising the liberalism of the past, he argues that liberals must radically revise their conception of moral value in order to reverse the damage left behind by many years of conservative rule. Reviving the Left argues that liberals must build a culture of caring from the ground up by giving social institutions incentives to encourage a more prominent role in public life for empathy, compassion, and responsibility. Only in such a culture will liberal political initiatives have a chance to succeed in the long run.Unlike many books on reviving liberalism, which emphasize economics, policy debates, or political strategies, Furrow's Reviving the Left uniquely focuses on moral values and their philosophical underpinnings. Furrow's extensive use of references to popular culture, especially well-known films, and also topics of current political discourse makes for an exciting, contemporary rethinking of the liberal perspective with widespread appeal.Dwight Furrow (San Diego, CA), professor of philosophy at San Diego Mesa College, is the author of Ethics: Key Concepts in Philosophy and Against Theory: Continental and Analytic Challenges in Moral Philosophy. He is also the editor of Moral Soundings: Readings on the Crisis of Values in Contemporary Life.

This title was first published in 2002. This multi-faceted account of the transformation of social democracy in Europe provides a unique critical discussion of the normative claims and the key policy initiatives that characterize Third Way politics. Designed to cover a broad range of aspects, this text provides fresh understanding of the transformation of social democratic politics in a globalizing world. Including accounts of the changes in the socio-political environment in which the New Social Democracy operates, the socio-cultural roots of Third Way politics and the underlying political and ideological shift of the contemporary established left, this text offers comparative insights into national case studies and an interpretative framework for the transformation that this political force has undergone in recent years. The reader will benefit from this book’s expert and easily accessible multi-faceted approach to one of the key political issues in contemporary Western societies.

By the end of the 1920s, fundamentalism in America was intellectually bankrupt and publicly disgraced. Bitterly humiliated by the famous Scopes "monkey trial," this once respected movement retreated from the public forum and seemed doomed to extinction. Yet fundamentalism not only survived, but in the 1940s it reemerged as a thriving and influential public movement. And today it is impossible to read a newspaper or watch cable TV without seeing the presence of fundamentalism in American society. In Revive Us Again, Joel A. Carpenter illuminates this remarkable transformation, exploring the history of American fundamentalism from 1925 to 1950, the years when, to non-fundamentalists, the movement seemed invisible. Skillfully blending painstaking research, telling anecdotes, and astute analysis, Carpenter--a scholar who has spent twenty years studying American evangelicalism--brings this era into focus for the first time. He reveals that, contrary to the popular opinion of the day, fundamentalism was alive and well in America in the late 1920s, and used its isolation over the next two decades to build new strength from within. The book describes how fundamentalists developed a pervasive network of organizations outside of the church setting and quietly strengthened the movement by creating their own schools and organizations, many of which are prominent today, including Fuller Theological Seminary and the publishing and radio enterprises of the Moody Bible Institute. Fundamentalists also used youth movements and missionary work and, perhaps most significantly, exploited the burgeoning mass media industry to spread their message, especially through the powerful new medium of radio. Indeed, starting locally and growing to national broadcasts, evangelical preachers reached millions of listeners over the airwaves, in much the same way evangelists preach through television today. All this activity received no publicity outside of fundamentalist channels until Billy Graham burst on the scene in 1949. Carpenter vividly recounts how the charismatic preacher began packing stadiums with tens of thousands of listeners daily, drawing fundamentalism firmly back into the American consciousness after twenty years of public indifference. Alongside this vibrant history, Carpenter also offers many insights into fundamentalism during this period, and he describes many of the heated internal debates over issues of scholarship, separatism, and the role of women in leadership. Perhaps most important, he shows that the movement has never been stagnant or purely reactionary. It is based on an evolving ideology subject to debate, and dissension: a theology that adapts to changing times. Revive Us Again is more than an enlightening history of fundamentalism. Through his reasoned, objective approach to a topic that is all too often reduced to caricature, Carpenter brings fresh insight into the continuing influence of the fundamentalist movement in modern America,and its role in shaping the popular evangelical movements of today.

This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.

This text offers an authoritative historiography of German socialist theorist Karl Kautsky and his impact on debates about the Russian Revolution and the contemporary left. Known as the “Pope of Marxism,” Douglas Greene examines the totality of Kautsky’s political career and dissects the fundamental opportunism and passive radicalism that defined his Marxism. He later examines the most substantive Marxist critics of Kautsky, namely Rosa Luxemburg, V. I. Lenin, and Leon Trotsky, while offering a critical assessment of the work produced by scholars and activists, Lars Lih, Eric Blanc, and Mike Mcnair, seeking to revive Kautsky. The New Reformism and the Revival of Karl Kautsky is an important addition to scholarship on the subject and a valuable resource for those interested in the Russian Revolution, German politics, socialism, Marxism, and contemporary left-wing debates.

Graphology, in English and American manuals of handwriting, stands in the relation with all other pseudo-sciences, founded on half truths and wrought with superstition and amateur fads, compared to modern science. In this book, the author attempts to put before the English public the fundamental principles, methods and laws of scientific graphology. Contents: common objections to graphology and their refutation; history of graphology; physiology and psychology of writing; random test of the correctness of methods explained; practical hints for drawing up of graphological analyses; specimens of analysis.

The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation. Postwar Politics, Society and the Folk Revival in England is the first study to interweave the story of a gentrifying folk revival with the socio-political tensions inherent in England's postwar transition from austerity to affluence. Julia Mitchell skillfully situates the English folk revival in the context of the rise of the new left, the decline of heavy industry, the rise of local, regional and national identities, the 'Americanisation' of English culture and the development of mass culture. In doing so, she demonstrates that the success of the English folk revival derived from its sense of authenticity and its engagement with topical social and political issues, such as the conflicted legacy of the Welfare State, the fight for nuclear disarmament and the fallout of nationalization. In addition, she shrewdly compares the US and British revival to identify the links but also what was distinctive about the movement in Britain. Drawing on primary sources from folk archives, the BBC, the music press and interviews with participants, this is a theoretically engaged and sophisticated analysis of how postwar culture shaped the folk revival in England.