Zygmunt Bauman’s Modernity and the Holocaust is a decisive text of intellectual reflection after Auschwitz, in which Bauman rejected the idea that the Holocaust represented the polar opposite of modernity and saw it instead as its dark potentiality. Bringing together leading scholars from across disciplines, this volume offers the first set of focused and critical commentaries on this classic work of social theory, evaluating its ongoing contribution to scholarship in the social sciences and humanities. Addressing the core messages of Modernity and the Holocaust that continue to sound amidst the convulsions of the present, the chapters situate Bauman’s volume in the social, cultural and academic context of its genesis, and considers its role in the complex processes of Holocaust memorialisation. Offering extensions of Bauman’s thesis to lesser-known and undertheorised events of mass violence, and also considering the significance of Janina Bauman’s writings in their own right, this volume will appeal to scholars of sociology, intellectual history, Holocaust and genocide studies, moral philosophy, memory studies and cultural theory.

Sociology is concerned with modern society, but has never come to terms with one of the most distinctive and horrific aspects of modernity - the Holocaust. The book examines what sociology can teach us about the Holocaust, but more particularly concentrates upon the lessons which the Holocaust has for sociology. Bauman's work demonstrates that the Holocaust has to be understood as deeply involved with the nature of modernity. There is nothing comparable to this work available in the sociological literature.

This book identifies the—now moribund—Modernist spirit of the twentieth century, with its "make it new" attitude in the arts, and its tendency towards abstraction and the scientific process, as the impetus behind the academic structures of universities and museums, together with the development of discrete scholarly disciplines such as literary theory, sociology, and art history based on quasi-scientific principles. Arguing that the Modernist project is approaching exhaustion and that the insights that it has left to yield are approaching triviality, it explores the Modernist links between the arts and academic pursuits of the West—and their relationship with street protests—in the long twentieth century, considering what might follow this Modernist era. An examination of the broad cultural and intellectual—and now political—trends of our age, and their decline, The End of the Modernist Era in Arts and Academia will appeal to scholars and students of social theory, philosophy, literary studies, and cultural studies.

This volume explores post-2000s artistic engagements with Holocaust memory arguing that imagination plays an increasingly important role in keeping the memory of the Holocaust vivid for contemporary and future audiences.

A victim of the Nazis, then the communists. Twice a refugee, yet always remaining a committed socialist. In countless ways, Zygmunt Bauman lived the political upheavals of the twentieth and twenty-first centuries. He was an actor within them. Bauman’s own lived history informed his politics, which found expression in varying degrees in his sociology, as he wrote extensively on socialism, democracy, bureaucracy, morality, Europe and the Jewish experience. This volume brings together hitherto unknown or rare pieces by Bauman on the themes of history and politics by drawing upon previously unpublished material from the Bauman Archive at the University of Leeds. A substantial introduction by the editors provides readers with a lucid guide through this material and develops connections to Bauman’s other works. The second volume in a series of books that will make available the lesser-known writings of one of the most influential social thinkers of our time, History and Politics will be of interest to students and scholars across the arts, humanities and social sciences, and to a wider readership.

One of the most influential intellectuals of the twentieth and twenty-first centuries, sociologist and philosopher Zygmunt Bauman (1925–2017) made reflection on culture a fundamental part of his academic work. He published a substantial number of papers on the topic, and many of his concepts would go on to significantly influence the social sciences and humanities. Bauman began his theoretical studies on culture when working at the University of Warsaw and continued them all his life. Inspired by the many intellectual currents he encountered over his more than six decades of work, Bauman wrote on culture in the contexts of such issues as Marxism and socialism, modernity and the Holocaust, postmodernity and liquid modernity, and contemporary nostalgia. In Zygmunt Bauman and the Theory of Culture Dariusz Brzeziński uses the evolution of Bauman’s theory of culture as a prism through which to offer a comparative analysis, putting Bauman’s work in conversation with the writings of other contemporary intellectuals. In this first comprehensive and critical assessment of Bauman’s lifelong work on culture, Brzeziński includes Bauman’s Polish-language papers and books, as well as his works discovered only posthumously, presenting them to an international audience.

The first comprehensive, comparative study of the 'Jewish Councils' in the Netherlands, Belgium and France during Nazi rule. In the postwar period, there was extensive focus on these organisations' controversial role as facilitators of the Holocaust. They were seen as instruments of Nazi oppression, aiding the process of isolating and deporting the Jews they were ostensibly representing. As a result, they have chiefly been remembered as forms of collaboration. Using a wide range of sources including personal testimonies, diaries, administrative documents and trial records, Laurien Vastenhout demonstrates that the nature of the Nazi regime, and its outlook on these bodies, was far more complex. She sets the conduct of the Councils' leaders in their prewar and wartime social and situational contexts and provides a thorough understanding of their personal contacts with the Germans and clandestine organisations. Between Community and Collaboration reveals what German intentions with these organisations were during the course of the occupation, and allows for a deeper understanding of the different ways in which the Holocaust unfolded in each of these countries.