The definitive handbook for the novelist who is ready to revise This wise and friendly guide shows writers how to turn first-draft manuscripts into the novels of their dreams. A critic, longtime teacher, and award-winning novelist, Sandra Scofield illustrates how to reread a work of fiction with a view of its subject and vision, and how to take it apart and put it back together again, stronger and deeper. Scofield builds her explanations around helpful concepts like narrative structure, character agency, and core scenes, using models from classic and contemporary writers. The detailed, step-by-step plan laid out in The Last Draft offers invaluable advice to both novice and experienced writers alike. In Scofield, they will find a seasoned, encouraging mentor to steer them through this emotional and intellectual journey.

Laila Piedra doesn’t drink, doesn’t smoke, and definitely doesn’t sneak into the 21-and-over clubs on the Lower East Side. The only sort of risk Laila enjoys is the peril she writes for the characters in her stories: epic sci-fi worlds full of quests, forbidden love, and robots. Her creative writing teacher has always told her she has a special talent. But three months before graduation, Laila’s number one fan is replaced by Nadiya Nazarenko, a Pulitzer Prize–winning novelist who sees nothing at all special about Laila’s writing. A growing obsession with gaining Nazarenko’s approval—and fixing her first-ever failing grade—leads to a series of unexpected adventures. Soon Laila is discovering the psychedelic highs and perilous lows of nightlife, and the beauty of temporary flings and ambiguity. But with her sanity and happiness on the line, Laila must figure out if enduring the unendurable really is the only way to greatness.

One of... Amazon's Best Romances of January Popsugar's Best New Romances of 2022 Cosmopolitan's Best Romance Novels of 2022 Buzzfeed, GMA.com, Shondaland, and Bustle's Best of January Oprah Daily’s Most Anticipated Romances of 2022 E! News' Books to Add To Your Reading List in January Bookbub's Most Anticipated Romances of Winter The Nerd Daily’s Swoonworthy 2022 Releases They were cowriting literary darlings until they hit a plot hole that turned their lives upside down. Three years ago, Katrina Freeling and Nathan Van Huysen were the brightest literary stars on the horizon, their cowritten book topping bestseller lists. But on the heels of their greatest success, they ended their partnership on bad terms, for reasons neither would divulge to the public. They haven't spoken since, and never planned to, except they have one final book due on contract. Facing crossroads in their personal and professional lives, they're forced to reunite. The last thing they ever thought they'd do again is hole up in the tiny Florida town where they wrote their previous book, trying to finish a new manuscript quickly and painlessly. Working through the reasons they've hated each other for the past three years isn't easy, especially not while writing a romantic novel. While passion and prose push them closer together in the Florida heat, Katrina and Nathan will learn that relationships, like writing, sometimes take a few rough drafts before they get it right.

From the author of the cult favorite Pro Cycling on $10 a Day and Ask a Pro, the story of one man’s quest to realize his childhood dream, and what happened when he actually did it. Like countless other kids, Phil Gaimon grew up dreaming of being a professional athlete. But unlike countless other kids, he actually pulled it off. After years of amateur races, hard training, living out of a suitcase, and never taking “no” for an answer, he finally achieved his goal and signed a contract to race professionally on one of the best teams in the world. Now, Gaimon pulls back the curtain on the WorldTour, cycling’s highest level. He takes readers along for his seasons in Europe, covering everything from rabid, water-bottle-stealing Belgian fans, to contract renewals, to riding in poisonous smog, to making friends in a sport plagued by doping. Draft Animals reveals a story as much about bike racing as it is about the never-ending ladder of achieving goals, failure, and finding happiness if you land somewhere in-between.

"Every page bursts with humor, squee-inducing romance, and an abiding sense of the deep love and joy of its two writers . . . Always Never Yours is a necessary, feel-good addition to the YA canon.”—Entertainment Weekly Megan Harper is the girl before. All her exes find their one true love right after dating her. It's not a curse or anything, it's just the way things are. and Megan refuses to waste time feeling sorry for herself. Instead, she focuses on pursuing her next fling, directing theater, and fulfilling her dream school's acting requirement in the smallest role possible. But her plans quickly crumble when she's cast as none other than Juliet--yes, that Juliet--in her high school's production. It's a nightmare. Megan's not an actress and she's certainly not a Juliet. Then she meets Owen Okita, an aspiring playwright who agrees to help Megan catch the eye of a sexy stagehand in exchange for help writing his new script. Between rehearsals and contending with her divided family, Megan begins to notice Owen--thoughtful, unconventional, and utterly unlike her exes, and wonders: shouldn't a girl get to star in her own love story?

The long-awaited guide to writing long-form nonfiction by the legendary author and teacher Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising—and revising, and revising. Draft No. 4 is enriched by multiple diagrams and by personal anecdotes and charming reflections on the life of a writer. McPhee describes his enduring relationships with The New Yorker and Farrar, Straus and Giroux, and recalls his early years at Time magazine. Throughout, Draft No. 4 is enlivened by his keen sense of writing as a way of being in the world.