Mexican Poetry has flourished during the last thirty years, and this ambitious multi-lingual anthology surveys the vibrant and eclectic work of poets born after 1950. The poetry of this new generation reflects a wealth of backgrounds, regions, styles, and especially influences -- including traditional and inventive narrative, formalism, lyrics, suites, and experimental verse. This is also the first generation of Mexican poets to hold in common an international perspective. Unlike anthologies offering only one or two poems by each author, Reversible Monuments affords its poets space enough to present larger-than-usual selections, allowing readers to more fully realize the individual voices. The translations, by both distinguished translators and brilliant new practitioners, are concise and transparent, and most are published here for the first time. In addition, several indigenous poets who write in Zapotec, Tzeltal, and Mazatec are presented tri-lingually. Book jacket.

A sweeping and exhaustive overview of contemporary Mexican poetry.

Historic structures need to be restored in line with international guidance and charters developed by architects and archaeologists, but technical understanding of structural engineering and materials is crucial, particularly with respect to response to earthquake loading. This guide to structural assessment and restoration of masonry monuments and historical buildings outlines the techniques, materials and design procedures used. It begins with principles, theory and practice and then presents case studies. The assessment focusses on Building materials and construction techniques used in the past The mechanics of masonry The structural behaviour of masonry monuments and historical buildings In-situ investigation and laboratory tests for existing and restoration materials. The restoration elaborates on Techniques and materials available for structural restoration Structural analysis and design Deciding on the restoration scheme Emergency measures and protective measures.

Can Parliament and the Union Government deprive Indians of their cultural heritage right to monuments? How has this deprivation been achieved by using the legislative process? Has the judicial culture of the Supreme Court been able to return to Indians this cultural heritage right? Can nationally important monuments be protected in a contrary political economy? How to retrieve and restore to Indians the fundamental right to the distinct culture of monuments by understanding what a monument is?

A collection of revised and expanded writings culled from the author's popular Washington Post Book World "Poet's Choice" column demonstrates how poetry responds to world challenges and introduces the work of more than 130 writers.

“Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.”—The New Yorker Inspired by numerous visits inside Louisiana state prisons—where MacArthur Fellow C.D. Wright served as a “factotum” for a portrait photographer—One Big Self bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and “counts” of things—from baby’s teeth to chigger bites: Count your folding money Count the times you said you wouldn’t go back Count your debts Count the roaches when the light comes on Count your kids after the housefire One Big Self—originally published as a large-format limited edition that featured photographs and text—was selected by The New York Times and The Village Voice as a notable book of the year. This edition features the poem exclusively. C.D. Wright is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.

An intimate first book of personal essays and incisive commentary from the editor of Poetry.