Ivy Jensen survived the Dark House once, but can she make it out a second time? Two months have passed since Ivy narrowly escaped the Nightmare Elf's grip, but the memories of Parker, Natalie, Shayla, Frankie, and Garth continue to haunt her. Their killer is still out there—somewhere. The police trail has gone cold, though, and it's up to Ivy to piece together the clues to find him. When a cryptic video arrives in her inbox, Ivy soon finds herself back in the spotlight, this time on a twisted scavenger hunt through the dark, ancient halls of a long-forgotten Gothic school building. Ivy's not alone, either. Taylor Monroe has returned to the scene. But can Taylor be trusted? Or is she another pawn in the Nightmare Elf's deadly game? Laurie Faria Stolarz crafts a mesmerizing thriller that will leave readers looking over their shoulders.

What's your worst nightmare? For Ivy Jensen, it's the eyes of a killer that haunt her nights. For Parker Bradley, it's bloodthirsty sea serpents that slither in his dreams. And for seven essay contestants, it's their worst nightmares that win them an exclusive, behind-the-scenes look at director Justin Blake's latest, confidential project . Ivy doesn't even like scary movies, but she's ready to face her real-world fears. Parker's sympathetic words and perfect smile help keep her spirits up. . . at least for now. Not everyone is so charming, though. Horror-film fanatic Garth Vader wants to stir up trouble. It's bad enough he has to stay in the middle of nowhere with this group???the girl who locks herself in her room; the know-it-all roommate; "Mister Sensitive"; and the one who's too cheery for her own good. Someone has to make things interesting. Except, things are already a little weird. The hostess is a serial-killer look-alike, the dream-stealing Nightmare Elf is lurking about, and the seventh member of the group is missing. By the time Ivy and Parker realize what's really at stake, it's too late to wake up and run.

What's your worst nightmare? For Ivy Jensen, it's the eyes of a killer that haunt her nights. For Parker Bradley, it's bloodthirsty sea serpents that slither in his dreams. And for seven essay contestants, it's their worst nightmares that win them an exclusive, behind-the-scenes look at director Justin Blake's latest, confidential project. Ivy doesn't even like scary movies, but she's ready to face her real-world fears. Parker's sympathetic words and perfect smile help keep her spirits up. . . at least for now. Not everyone is so charming, though. Horror-film fanatic Garth Vader wants to stir up trouble. It's bad enough he has to stay in the middle of nowhere with this group-the girl who locks herself in her room; the know-it-all roommate; "Mister Sensitive"; and the one who's too cheery for her own good. Someone has to make things interesting. Except, things are already a little weird. The hostess is a serial-killer look-alike, the dream-stealing Nightmare Elf is lurking about, and the seventh member of the group is missing. By the time Ivy and Parker realize what's really at stake, it's too late to wake up and run. Enter to the Dark House in this heart-stopping bind-up of books one and two in the DARK HOUSE series, sure to leave you itching to turn the lights on.

A corpse, burned beyond recognition, has been uncovered in a vacant warehouse in Southwark . . . A young, beautiful hospital administrator has vanished without a trace, her past a mystery to even her closest friend . . . And across the City, within an old, dark, rambling house, a rigidly controlling, anonymous woman is holding ten-year-old Harriet hostage. While innocent lives hang in the balance, sinister truths unfurl and DS Duncan Kincaid and DI Gemma James must call upon all resources to work together on their most menacing case yet . . . ‘Deborah Crombie just keeps getting better and better. In a Dark House is utterly compelling’ PETER ROBINSON

Fifteen-year-old Gemma’s life on a small New Brunswick island with her father, Jonah, is not an exciting one. Her mother ran off when she was an infant, and Jonah, an amateur scientist, spends most of his time conducting experiments he thinks will one day bring him fame. But when a woman arrives on the island, Gemma tries to play matchmaker – only to discover Jonah’s hidden journals, which hold terrifying secrets about both their lives. Mystery, science, and dreams of a better life collide in this page-turning young adult novel from Barbara Radecki.

Nathan Forrester plans to scare Adam Ingram out of his wits. He's found the perfect place: haunted Hawkins House. And gorgeous Kendra Collins has agreed to bait the trap. But it all goes horribly wrong when Nathan goes missing in the house.

Polished and refitted into a new critical matrix, these essays by a distinguished Faulkner editor and scholar in no way resemble the casual self-anthologizing often encountered. Polk's stature as a critic meshes neatly with his work as an editor; his patent joy at the very sight of Faulkner manuscripts is inspiriting, and his professed commitment to Freudian readings is borne lightly (that is, expressed in sensible, jargon-free discourse that is both witty and brilliant). --J. M. Ditsky, Choice First published in 1996, this book by a major scholar of William Faulkner's writings collects choice selections of his Faulkner criticism from the past fifteen years. Its publication underscores the significance of his indispensable work in Faulkner studies, both in criticism and in the editing of Faulkner's texts. Here, Polk's focus is mainly upon the context of Freudian themes, expressly in the works written between 1927 and 1932, the period in which Faulkner wrote and ultimately revised Sanctuary, a novel to which Polk has given concentrated study during his distinguished career. He has connected the literature with the life in a way not achieved in previous criticism. Although other critics, notably John T. Irwin and Andre Bleikasten have explored Oedipal themes, neither perceived them as operating so completely at the center of Faulkner's work as Polk does in these essays. Noel Polk, a professor of English at the University of Southern Mississippi, is the editor of the definitive texts of Faulkner's works. He also is one of the most notable scholars of Eudora Welty's works and the author of Eudora Welty: A Bibliography of Her Work (University Press of Mississippi)