This first volume in Martin Brecht's three-volume biography recounts Luther's youth and young adulthood up to the period of the Diet of Worms. Brecht, in a clear, eloquent translation by James Schaaf, discusses Luther's education at the University of Erfurt, his monastic life, his canonical trial in 1519, the Leipzig debate, and his earliest contributions to the beginning of the Reformation. Illustrations enrich the text.

Memoir

With sound historical scholarship and penetrating insight, Roland Bainton examines Luther's widespread influence. He re-creates the spiritual setting of the sixteenth century, showing Luther's place within it and influence upon it. Richly illustrated with more than 100 woodcuts and engravings from Luther's own time, Here I Stand dramatically brings to life Martin Luther, the great Reformer. A specialist in Reformation history, Roland H. Bainton was for forty-two years Titus Street Professor of Ecclesiastical History at Yale, and he continued his writing well into his twenty years of retirement. Bainton wore his scholarship lightly and had a lively, readable style. His most popular book was Here I Stand: A Life of Martin Luther (1950), which sold more than a million copies. Hendrickson Classic Biographies feature enduring stories about real people whose lives have been touched and transformed by God, and who in turn have touched others with God's love. Each story has been carefully selected, gently edited if necessary, and freshly typeset, making every account--be it ancient or contemporary--a compelling read. Great lives reaching across the ages to touch lives today, encouraging, challenging, and inspiring.

Topf and Sons designed and built the crematoria at the concentration camps at Auschwitz-Birkenau, Buchenwald, Belzec, Dachau, Mauthausen and Gusen. At its height sixty-six Topf triple muffle ovens were in operation – forty-six of which were at Auschwitz. In five years the gas chambers and crematoria of Auschwitz had been the engine of the holocaust, facilitating the murder and incineration of more than one million people, most of them Jews. Yet such a spectacularly evil feat of engineering was designed not by the Nazi SS, but by a small respectable firm of German engineers: the owners and engineers of J. A. Topf and Sons. These were not Nazi sadists, but men who were playboys and the sons of train drivers. They were driven not by ideology, but by love affairs, personal ambition and bitter personal rivalries to create the ultimate human killing and disposal machines – even at the same time as their company sheltered Nazi enemies from the death camps. The intense conflagration of their very ordinary motives created work that surpassed in its inhumanity even the demands of the SS. In order to fulfil their own 'dreams' they created the ultimate human nightmare.

Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.

Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.