Did James Joyce, that icon of modernity, spearhead the dismantling of the Cartesian subject? Or was he a supreme example of a modern man forever divided and never fully known to himself? This volume reads the dialogue of contradictory cultural voices in Joyce’s works—revolutionary and reactionary, critical and subject to critique, marginal and central. It includes ten essays that identify repressed elements in Joyce’s writings and examine how psychic and cultural repressions persistently surface in his texts. Contributors include Joseph A. Boone, Marilyn L. Brownstein, Jay Clayton, Laura Doyle, Susan Stanford Friedman, Christine Froula, Ellen Carol Jones, Alberto Moreirias, Richard Pearce, and Robert Spoo.

Destroy All Monsters were an influential Detroit group that made music, art, zines and an elaborate junk-based self-mythology. Two of its members have become renowned artists: Mike Kelley and Jim Shaw. But aside from the zines, the actual output by the members has never been examined as independent art objects. This is the first retrospective of the artwork itself, as opposed to the zines and memorabilia produced. Nearly all of this work has never been published. Included are dozens of candid photographs of the group, offering a snapshot of a proto-punk unit.

Fowler exposes psychic conflicts that drive Faulkner's fiction and posits from them an underlying tension between the desire for difference and wholeness, between the mother and the father, between the living body and death.

Drawing on the shared mythic narratives of the Pseudepigrapha, Pirqe de-Rabbi Eliezer is understood as a revolutionary midrashic text, both in form and content, taking motifs from cosmogony and recapitulating them in a vision of the End of Days.

Simone Weil - philosopher, religious thinker, mystic, social/political activist - is notoriously difficult to categorize, since her life and writings challenge traditional academic boundaries. As many scholars have recognized, she set out few, if any, systematic theories, especially when it came to religious ideas. In this book, A. Rebecca Rozelle-Stone and Lucian Stone illuminate the ways in which Weil stands outside Western theological tradition by her use of paradox to resist the clamoring for greater degrees of certainty. Beyond a facile fallibilism, Simone Weil's ideas about the super-natural, love, Christianity, and spiritual action, and indeed, her seeming endorsement of a sort of atheism, detachment, foolishness, and passivity, begin to unravel old assumptions about what it is to encounter the divine.

This book presents a reinterpretation of Freud to show how language can be expressive and repressive.