Wuji battles all the Masters and yet no one recognises he is the son of Jay Shan Chang. Walking a fine line between good and supposed evil, Wuji must defeat the enemy but not injure anyone. The righteous clans demand justice but his grandfather - his last known blood relation - is one of the Ming Sect's head officials.

The epic Chinese classic and phenomenon published in the US for the first time! Featured in iO9's 2019 Fall Preview. Set in ancient China, in a world where kung fu is magic, kingdoms vie for power and the battle to become the ultimate kung fu master unfolds, an unlikely hero is born... in the first book in the epic Legends of the Condor Heroes by the critically acclaimed master of the genre, Jin Yong. After his father—a devoted Song patriot—is murdered by the Jin empire, Guo Jing and his mother flee to the plains of Ghengis Khan and his people for refuge. For one day he must face his mortal enemy in battle in the Garden of the Drunken Immortals. Under the tutelage of Genghis Khan and The Seven Heroes of the South, Guo Jing hones his kung fu skills. Humble, loyal and perhaps not always wise, Guo Jing faces a destiny both great and terrible. However, in a land divided—and a future largely unknown—Guo Jing must navigate love and war, honor and betrayal before he can face his own fate and become the hero he’s meant to be. Legends of the Condor Heroes A Hero Born A Bond Undone A Snake Lies Waiting A Heart Divided

Kuo Yung lies his elderly friend and companion to rest. Before she passes, she instructs amysterious beauty to care after Kuo Yung and teach him Kung Fu. What is the background of this young woman and what is her connection to Kuo?

Volume 1 Chapter 1 of the Return of the Condor Heroes series: Based on Louis Cha's fantasy martial arts novel, Return of the Condor Heroes is a manga series that tells of the love story between Yang Guo and his beautiful master Dragon Girl during the turmoil of the Song Dynasty. Comic artist Wee Tian Beng’s breathtaking depictions of the heroes’ ill-fated adventures took Asia by storm in the 90’s and has since left an indelible legacy in popular culture.

This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational ‘Chineseness’. Collectively, the essays look at how notions of ‘British Chinese culture’ have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.

The seminal work on the evolution, aesthetics and politics of modern martial arts fiction from one of China's leading scholars.