Scandal comes courting! Caught in a coach accident, Lady Eleanor Ashby seeks help from a mysterious stranger. But the dashing Matthew Thomas is not all he seems. And when it appears someone is trying to hurt her, Eleanor doesn't know who to trust. Disowned by his family, Matthew is living under an assumed name. Falling under Eleanor's spell, he is determined to protect her. It's time for Matthew to return home and confront his scandalous past, if Eleanor is to be part of his future…

It’s love lost and found for a brokenhearted widow and a baron mired in scandal in this dazzling Regency romance. Harriet, Lady Brierley, is a respectable widow, determined to keep the secrets of her broken heart deeply buried. But when Benedict Poole—the very man who deserted her—returns, Harriet’s safe world threatens to unravel. Believing Harriet left him for a wealthy lord, Benedict must fight to uncover the true consequence and tragedy of their affair years before. But with his family’s name now synonymous with scandal, can he hope to win back the trust of the woman he has always loved?

When his betrothed leaves him stranded at the altar, Lord Galen Woodbridge is more embarrassed than broken-hearted. Desperate to deflect attention from his humiliating plight, he decides to stir up a bit of a scandal -- by wedding London's most eligible and elusive songstress, the magnificently sensuous Margot Montclaire. After Galen proposes, Margot confides that her sexy demeanor is merely an act. A baron's daughter, she took to the stage to escape the clutches of a diabolical uncle -- and reluctantly left her fragile young brother behind in his care. To win Margot's hand, Galen agrees to save her sickly sibling -- but in this marriage of mutual convenience, he never planned on losing his heart....

Even though the Irish child sex abuse scandals in the Catholic Church have appeared steadily in the media, many children remain in peril. In The Child Sex Scandal and Modern Irish Literature, Joseph Valente and Margot Gayle Backus examine modern cultural responses to child sex abuse in Ireland. Using descriptions of these scandals found in newspapers, historiographical analysis, and 20th- and 21st-century literature, Valente and Backus expose a public sphere ardently committed to Irish children's souls and piously oblivious to their physical welfare. They offer historically contextualized and psychoanalytically informed readings of scandal narratives by nine notable modern Irish authors who actively, pointedly, and persistently question Ireland's responsibilities regarding its children. Through close, critical readings, a more nuanced and troubling account emerges of how Ireland's postcolonial heritage has served to enable such abuse. The Child Sex Scandal and Modern Irish Literature refines the debates on why so many Irish children were lost by offering insight into the lived experience of both the children and those who failed them.

In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.

The first biography of Lady Harriet Spencer, ancestor of Diana, Princess of Wales, and devoted sister of Georgiana, Duchess of Devonshire. Harriet Spencer was one of the most glamorous, influential, and notorious aristocrats of the Regency period. Intelligent, attractive, and eager to please, at nineteen she married an aloof, distant relative; the only trait they shared was an unhealthy love of gambling. Harriet began a series of illicit dalliances, including one with the playwright Richard Brinsley Sheridan. Then she met Lord Granville Leveson Gower, handsome and twelve years her junior. Their years-long affair resulted in the birth of two children, and concealing both pregnancies from her husband required great skill. Harriet was an eyewitness to the French Revolution; traveled through war-torn Europe during the time of Napoleon; quarreled with Byron when he pursued her daughter; and became one of the leading female political activists of her day.--From publisher description.

This book examines how Shakespeare’s plays resurface in current complex TV series. Its four case studies bring together The Tempest and the science fiction-Western Westworld, King Lear and the satirical dynastic drama of Succession, Hamlet and the legal thriller Black Earth Rising, as well as Coriolanus and the political thriller Homeland. The comparative readings ask what new insights the twenty-first-century remediations may grant us into Shakespeare’s texts and, vice versa, how Shakespearean returns help us understand topical concerns negotiated in the series, such as artificial intelligence, the safeguarding of democracy, terrorism, and postcolonial justice. This study also proposes that the dramaturgical seriality typical of complex TV allows insights into the seriality Shakespeare employed in structuring his plays. Discussing a broad spectrum of adaptational constellations and establishing key characteristics of the new adaptational aggregate of serial Shakespeare, it seeks to initiate a dialogue between Shakespeare studies, adaptation studies, and TV studies.