The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the present day, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets. The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler. The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from 1800 to the present day.

The Arthurian legend closes with a promise: On a distant day, when his country calls, the king will return. His lost realm will be regained, and his shattered dream of an ideal world will, at last, be realized. This collection of original essays explores the issue of return in the modern Arthurian legend. With an Introduction by noted scholar Raymond H. Thompson and 13 essays by authors from the fields of literature, art history, film history, and folklore, this collection reveals the flexibility of the legend. Just as the modern legend takes the form current to its generation, the myth of return generates a new legend with each telling. As these authors show, return can come in the form of a noble king or a Caribbean immigrant, with the mystery of an art theft or a dying boy's dream.

The legend of King Arthur is embedded in British and American culture. Contemporary America, in particular, is a rich breeding ground for the Arthurian mythos, not only in films, novels, short stories, and fantasy and science fiction, but in other areas of popular and mass culture as well. This work is a collection of 18 previously unpublished essays that demonstrate the impressive extent to which the Arthurian legend continues to permeate contemporary culture beyond film and literature. The essays cover the Arthurian legend in economics, ethics, education, entertainment, music, fun and games, the Internet, and esoterica. Instructors considering this book for use in a course may request an examination copy here.

From his court at Camelot, King Arthur ruled over a unified Britain in a mythical age of peace and prosperity. His glory, however, would be short-lived. For even as he drew the sword from the stone, a doom settled over Arthur that would see his kingdom fall to betrayal and war. In this book, Daniel Mersey retells the great stories of Arthur, from his winning of Excalibur and his marriage to Guinevere, through his battle with the giant in France and his war against the army of Rome to the treachery of Mordred and his death at Camlann. Supporting this narrative is an exploration of the different facets of Arthurian myth, including the numerous conflicting theories of his historical origin, the tales of Welsh folklore and Medieval romance, and even his various portrayals in the modern media. Presented with both classic and newly commissioned artwork this book is an easy-to-read, yet highly detailed introduction to the complex body of myth and legend that surrounds Britain's greatest hero.

Celebrating the Prose, Poetry & Scholarship of King Arthur & Camelot King Arthur and his legendary Camelot inspire the reflection on the best of humanity and true virtue: faithful friends and comradery, chivalry, courtly love, perseverance to purpose, and the Divine fulfillment of a promise. The enduring appeal of Camelot is the Gospel message told within a Medieval tale: stories where agape love take form with a faithful company persevering to victory led by the King Who Came. The King Arthur Legendarium presents this timeless tale with new scholarship and new tales woven by modern creative members of the fellowship of beauty. Contributions & Contributors "Return to the Timeless Legend" by Annie Nardone, Issue Editor, on Revisiting Chivalry and Adventure "The Myth of Arthur" by G.K. Chesterton poetic honoring of King Arthur "Medieval Virtue: Arthur and Sir Gawain, Women and Men" by Seth Myers on Classical and Arthurian Virtue "True History of the Holy Grail" by Donald Williams, Issue Editor, on Galahad, Sola Gratia, and the Graal "To Help the Wrong'd" by Camilo Peralta on Sanctuary in Idylls of the King "Take Up the Tale" by Malcolm Guite on His Poetic Retelling of the Arthurian Epic "The Coming of Galahad" by Malcolm Guite Ballad of Galahad's Childhood "The Virtuous Arthur" by Josh P. Herring on Resolving a Tension Between C.S. Lewis and Spenser "Death and the Knight" by Roger Maxson on the True Knight and Victory over Death "Arthur and Abbey" by Elizabeth Martin on Edwin Austin Abbey's Galahad Mural Cycle "Avalon" by Justin Wiggins on The Sacred Isle of Avalon "Malory's Apocalyptic Vision" by Joshua S. Fullman on Malory's Le Morte D'arthur. "Galahad and the End of the Quest" by Junius Johnson on An Imagined Tale of Galahad "The Sword in the Stone - A Triolet" by Karise Gililland pens a Medieval Poem "Arthur & Regeneration in T.S. Eliot's Waste Land" by Seth Myers on The Search for Regeneration "Enid and Gereint" by John Tuttle on A Romance in Arthur's Kingdom "Always Once and Future" by Donald W. Catchings, Jr. on Arthur as Archetype "C.S. Lewis, Merlin, and Messy Apologetics" by Stephan Bedard on C.S. Lewis and Pragmatic Christian Apologetics "Faerie Queen and the Holy Knight Red Crosse" by Seth Myers on Red Crosse's Symbolic Virtue of Holiness Volume 6, Issue 2 Summer 2023 280 pages Cover illustration: Virginia de la Lastra

Offer an overview and a number of examinations of Arthur's fortunes. This work reveals the role of Fortune itself, often personified and consistently instrumental, in accounts of Arthur's court and reign. It traces the trajectory of the Arthurian legend, and follows the turning of Fortune's wheel, emphasizing the flourishing of the legend.