A novus hit squad is chasing you, and they are getting closer... In the year 3421, human, novus, and alien races coexist through political strife perpetuated by daily United Planetary Congress interactions, the foundation of political theater. An encrypted code, capable of crippling a newly developed artificial earth planet, is stolen from an atmospheric control outpost orbiting Atlas. Agent Jonah, Galactic Interpol Society top-priority agent, must immerse himself within the violent shadows surrounding his new mission as he enters the Revised Washington District. A novus crime lord leading a reputable novus terrorist organization lends aid to a powerful political figure pulling the strings. To further complicate Jonah's investigation, a rogue galactic agent bites at his heels every step of the way. Follow Agent Jonah through vivid action sequences and futuristic locales to find out if he can overcome all obstacles and save Atlas from an evil politician's plot for power dominance in the galaxy. Army combat veteran Bryan DeMinico gives readers a Sci-Fi world full of hi-tech spy activities, sleek technologies, socio-political interactions spanning across two earth planets, mix in a new humanoid race, colonized space worlds, and add a dash of discovered aliens on Planet Amephirous.

It is actually possible to remove mistakes from one's past, purging them from the record forever. At least, the author had such an opportunity while reviewing material he had written during the 1970's, subsequently included in this book. Resisting the recurring temptation to "improve" upon pieces composed decades earlier, he opted instead to submit them as originally written in order to preserve the integrity of a much earlier creative stage in his life. For clarity and perspective, each composition is accompanied by either explanatory or elaborative comments. It is quite probable that you have encountered individuals similar to some of those described here. Possibly, you will have pondered some of the same thoughts, shared some of the same experiences, and pursued some of the same subjects as those related in this little volume. If not, perhaps you will enjoy looking back over the author's shoulder at some unique personalities, observations, places, and perspectives.

Henry James's Style of Retrospect traces James's engagement with the writing of the recent past across the last twenty-five years of his life and examines the thoroughgoing change his style underwent in this last phase of his career, as his focus turned from the observation of contemporary manners to biographical commemoration and autobiographical reminiscence, and the balance of his output gradually shifted from fiction to non-fiction. The 'late personal writings' of the book's subtitle are works of retrospective non-fiction. They are a varied group, representing a broad array of genres and occasions: commemorative essays and obituary tributes, textual revisions and accounts of revisiting familiar places, cultural and literary criticism, biography and autobiography, and family memoir. Oliver Herford proposes that we read the late personal writings as a coherent sequence, bound together by a close texture of cross-references and allusive echoes, and united by James's newly discovered sense for the literary possibilities of non-fiction. Closely analyzing the style of these writings, this study offers a boldly revisionist account of the way style itself challenges and preoccupies the very late James. A linked series of innovative close readings takes the major works of this period in sequence, addressing a key point of style in each: particular attention is paid to procedures of reference (to the historical past, to real persons and places and objects), a dimension of style often neglected and sometimes actively slighted in analyses of James's late work. Henry James's Style of Retrospect asks what it means for so distinguished a novelist to alter the foundations of his written manner so strikingly in late life, and shows how we may begin to reconfigure our understanding of late Jamesian aesthetics accordingly.

January 2009 marked the 25th anniversary of one of the most famous three minutes of television history. It was during half-time of the 1984 Super Bowl that APPLE show cased its new Macintosh Computer in an avant-guard commercial. In the following three weeks sales of the new computer, in both the public and private sectors, took off leading some to note this occasion as the "true" start of the information age. At the same time schools joined this so-called information revolution and began to use the new technology, in various forms, in a much more serious manner. Given both the changing nature of technology, as well as its classroom applications, over the past quarter century this work's goal is to capture the historical trends of both use and application of information technology in the social studies during this era. This is done by providing a retrospective view , from 1984 through 2009 , of where we've been, where we are, and a view of new tools and strategies and possible studies that are emerging that can enhance our understanding of the effects that technology has and will have on the social studies.

Being an analysis of the British and foreign medical journals and transactions; or, a selection of the latest discoveries and most practical observations in the practice of medicine, surgery, and the collateral sciences, for the past year, made chiefly with reference to the treatment of disease.