"The Ship" tells the remarkable story of Captain James Cook's voyage on the "Endeavour, " describing what happened when a team of volunteers boarded a replica of the ship to retrace a stretch of the route from Australia to Indonesia. 150 illustrations.

In 1997, journalist and history buff W. Hodding Carter, along with a band of amateur sailers, set out to retrace Leif Eriksson's journey to North America. They sailed in a handmade ship modeled after a traditional Viking "knarr." It was the first voyage by Westerners to precisely follow the Vikings' route in nearly 1000 years. The chronicle of this voyage is told in this book, through photographs and colorful running text.

'Who ever thought they would one day be able to read Malcolm Lowry's fabled novel of the 1930s and 40s, In Ballast to the White Sea? Lord knows, I didn't' - Michael Hofmann This book breaks new ground in studies of the British novelist Malcolm Lowry (1909-57), as the first collection of new essays produced in response to the publication in 2014 of a scholarly edition of Lowry's 'lost' novel, In Ballast to the White Sea. In a detailed introduction, editors Helen Tookey and Bryan Biggs show how the publication of In Ballast sheds new light on Lowry as both a highly political writer and a writer deeply influenced by his native Merseyside, as his protagonist Sigbjørn Hansen-Tarnmoor walks the streets of Liverpool, wrestling with his own conscience and with the pressing questions of class, identity and social reform. The introduction is followed by chapters in which renowned Lowry scholars and newer voices explore key aspects of the novel and its relation to the wider contexts of Lowry's work, including his complex relation to socialism and communism, the symbolic value of Norway and things Nordic, and the significance of tropes of loss, hauntings and doublings. The book draws on the unexpected opportunity offered by the rediscovery of In Ballast to look afresh at Lowry's oeuvre, to 'remake the voyage'.

In the harsh winter of 1779, as the leader of a flotilla of settlers, John Donelson loaded his family and thirty slaves into a forty-foot flatboat at the present site of Kingsport, Tennessee. Their journey into the wilderness led to the founding of a settlement now known as Nashville—over one thousand river miles away. In the fall of 2016, photographer John Guider retraced the Donelson party’s journey in his hand-built 14½' motorless rowing sailboat while making a visual documentation of the river as it currently exists 240 years later. This photo book contains more than 120 striking images from the course of the journey, allowing the reader to see how much has changed and how much has remained untouched in the two and a half centuries since Donelson first took to the water. Equally significant, the essays include long-ignored contemporary histories of both the Cherokee whom Donelson encountered and the slaves he brought with him, some of whom did not survive the journey. Guider, a professional photographer, has created images of every point in the thousand-mile trip from a platform just a few feet above the waterline of three of Tennessee’s most notable rivers.

Reid Lewis never wanted to be an ordinary French teacher. With the approach of the American Bicentennial, he decided to put his knowledge of French language and history to use in recreating the voyage of René Robert Cavelier, Sieur de La Salle, the first European to travel from Montreal to the end of the Mississippi River. Lewis’ crew of modern voyageurs was comprised of 16 high school students and 6 teachers who learned to sew their own 17th-century clothing, paddle handmade canoes, and construct black powder rifles.Together they set off on an eight-month, 3,300-mile expedition across the major waterways of North America. They fought strong currents on the St. Lawrence, paddled through storms on the Great Lakes, and walked over 500 miles across the frozen Midwest during one of the coldest winters of the 20th century, all while putting on performances about the history of French explorers for communities along their route. The crew had to overcome disagreements, a crisis of leadership, and near-death experiences before coming to the end of their journey. The Last Voyageurs tells the story of this American odyssey, where a group of young men discovered themselves by pretending to be French explorers.

Attracted to remote lands by his interest in the postcolonial struggle, Richard Wright (1908-1960) became one of the few African Americans of his time to engage in travel writing. He went to emerging nations not as a sightseer but as a student of their cultures, learning the politics and the processes of social transformation. When Wright fled from the United States in 1946 to live as an expatriate in Paris, he was exposed to intellectual thoughts and challenges that transcended his social and political education in America. Three events broadened his world view- his introduction to French existentialism, the rise of the Pan-Africanist movement to decolonize Africa, and Indonesia's declaration of independence from colonial rule in 1945. During the 1950s as he traveled to emerging nations his encounters produced four travel narratives-Black Power (1953), The Color Curtain (1956), Pagan Spain (1956), and White Man, Listen! (1957). Upon his death in 1960, he left behind an unfinished book on French West Africa, which exists only in notes, outlines, and a draft. Written by multinational scholars, this collection of essays exploring Wright's travel writings shows how in his hands the genre of travel writing resisted, adapted, or modified the forms and formats practiced by white authors. Enhanced by nine photographs taken by Wright during his travels, the essays focus on each of Wright's four separate narratives as well as upon his unfinished book and reveal how Wright drew on such non-Western influences as the African American slave narrative and Asian literature of protest and resistance. The essays critique Wright's representation of customs and people and employ a broad range of interpretive modes, including the theories of formalism, feminism, and postmodernism, among others. Wright's travel books are proved here to be innovative narratives that laid down the roots of such later genres as postcolonial literature, contemporary travel writing, and resistance literature. Virginia Whatley Smith is an associate professor of English at the University of Alabama, Birmingham. Her work has appeared in African American Review, Mississippi Quarterly, and MLA Approaches to Teaching Wright's 'Native Son.'