A comprehensive but accessible examination of how elite Chinese politics work covering the period from Deng Xiaoping to Xi Jinping.

"The Introduction sets out the theoretical and empirical concerns of the book: Institutionalization is defined as a decision-making rule that allows power to pass from one leader to another. Institutionalization is, by definition, a set of rules that constrain the personalization of power. Leninism, as a mobilizing system, provides no such rule, and the repeated consolidation of power and the accompanying tendency to build personal networks prevent the system from institutionalizing. It should be noted that the elaboration of intra-party rules does not mean that such rules extend to the core leadership; rather they are rules that bind others. Finally, Leninism as a specific form of organization, is different from the broader term 'authoritarianism.' Inherent in the concept is the notion that Leninism develops through phases. Leninism under reform is subject to certain pathologies that weaken it"--

The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.

A vision of contemporary China from the inside, Xu's essays offer a liberal reaction to the complexity of China's rise.

For the first time since its founding in 1921, the Chinese Communist Party (CCP) has adopted a new paradigm for its role in China. Abandoning its former identity as a 'revolutionary party', the CCP now regards itself as a 'governing party' committed to meeting the diverse needs of its people and realizing China’s revitalization as a great power. To enhance its ability to realize these aims, the CCP has enacted extensive political and ideological reforms. Central to that effort are changes to how the party develops and oversees strategy and policy. Few studies are available on the CCP's adoption of this new identity and of its political implications. This book remedies that oversight by explaining the historic context, drivers, and meaning of the governing party paradigm. It explains how adoption of this paradigm is transforming the processes through which the CCP develops strategy and policy. Furthermore, it differs from many other books in that it is the first to derive its analysis primarily from the study of authoritative Chinese sources. The book also provides an extensive array of helpful references, including chronologies, lists of major strategy documents, a glossary, and more. Accurately understanding the CCP's new role as a governing party requires a firm grasp of how China’s leadership formulates, documents, and implements strategies and policies to improve its governance and further the nation’s rejuvenation. This book provides such valuable information in one handy volume.

This book facilitates exchanges between scholars and researchers from around the world on China-Eurasia relations. Comparing perspectives and methodologies, it promotes interdisciplinary dialogue on China’s pivot towards Eurasia, the Belt and Road initiative, the Shanghai Cooperation Organization, Beijing’s cooperation and arguments with India, the EU, Western Balkans and South Caucasus states and the Sino-Russian struggle for multipolarity and multilateralism in Eurasia. It also researches digitalization processes in Eurasia, notably it focuses on China's Silk Road and Digital Agenda of Eurasian Economic Union. Multipolarity without multilateralism is a dangerous mix. Great power competitions will remain. In the Asian regional system more multilateral cushions have to be developed. Scholars from different nations including China, India, Russia, Austria, Armenia, Georgia, United Arab Emirates and Montenegro introduce their own, independent research, making recommendations on the developments in China-Eurasia relations, and demonstrating that through joint discussions it is possible to find ways for cooperation and for ensuring peaceful coexistence. The book will appeal to policymakers and scholars and students in Chinese, Eurasian, International and Oriental Studies.

The contemporary Sino-MENA-Asia relations and the Belt and Road Initiative are in the making in an emerging 'multiplex world'. This edited volume includes new researches in fifteen chapters, examining China’s complex relations with Iran, Turkey, Egypt, GCC, Pakistan, central and south Asia.