'Ancient woodland' is a term widely used in England for long-established semi-natural woods, shaped by centuries of traditional management. Such woods are often assumed to provide a direct link with the natural vegetation of England, as this existed before the virgin forests were fragmented by the arrival of farming. This groundbreaking study questions many of these assumptions. Drawing on more than a decade of research in Norfolk, the authors emphasize the essentially unnatural character of ancient woods.

From antiquity until today, trees and woods have inspired artists, writers and scientists; they have shaped cultures and reverberated through belief systems. Yet worldwide forest cover has declined dramatically over the last 1,000 years. Now, primeval forests are only to be found at a few sites unreachable by humans, and even then they are affected by climate change, atmospheric pollution and species extinctions. Nonetheless, ancient woods, trees and forests are at the core of many global landscapes. Understanding the vital resources that they provide requires genuinely multidisciplinary research. With contributions from major authorities in the field such as Oliver Rackham, Frans Vera, Elisabeth Johann, George Peterken and Melvyn Jones among others, this timely volume reflects on the importance of our oldest trees from a range of perspectives and varied geographical locations. Individual chapters consider eco-cultural heritage, the archaeology of trees, landscape history, forest rights, tree management, saproxylic insects, the importance of deadwood, practical conservation and monitoring, biodiversity, wood-pasture and more. Fresh insights are provided from across Europe as far as Turkey. Given the urgent need to understand, conserve and restore ancient woodlands and trees, this book will do much raise awareness, foster enthusiasm and inspire wonder.

The grove, a grouping of trees, intentionally cultivated or found growing wild, has a long diverse history entwined with human settlement, rural practices and the culture and politics of cities. A grove can be a memorial, a place of learning, a site of poetic retreat and philosophy or political encampment, a public park or theatre, a place of hidden pleasures, a symbol of a vanished forest ecology, or a place of gods or other spirits. Yet groves are largely absent from our contemporary vocabulary and rarely included in today’s landscape practice, whether urban or rural. Groves are both literal and metaphorical manifestations, ways of defining spaces and ecologies in our cultural life. Since they can add meaning to urban forms and ecologies and contribute meaningfully to the significance of place, critical examination is long overdue. The editors have taken care to ensure that the text is accessible to the general reader as well as specialists.

How do you record the wildlife in a wood? This book explains ways to record the flora and fauna found in woodland and outlines the sources you can use to find out more about the history and management of an area. Whether you have just a few hours, or a few years, there are examples that you can follow to find out more about this important habitat. Woods include some of the richest terrestrial wildlife sites in Britain, but some are under threat and many are neglected, such that they are not as rich as they might be. If we are to protect them or increase their diversity we need first to know what species they contain, how they have come to be as they are, to understand how they fit into the wider landscape. Conservation surveys are the bedrock on which subsequent protection and management action is based. There is not one method that will be right for all situations and needs, so the methods discussed range from what one can find out online, to what can be seen on a general walk round a wood, to the insights that can come from more detailed survey and monitoring approaches. Fast-evolving techniques such as eDNA surveys and the use of LiDAR are touched on.

Observing the plants of the forest floor – the flowers, ferns, sedges and grasses – can be a vital way of understanding our relationship with British woodland. They tell us stories about its history and past management, and can be a visible sign of progress when we get conservation right. For centuries, woodland plants have also been part of our lives in practical ways as food and medicines, and they have influenced our culture through poetry, perfume and pub signs. In this insightful and original account, Keith Kirby explores how woodland plants in Great Britain have come to be where they are, coped with living in the shade of their bigger relatives, and responded to threats in the form of storms, fires, floods, the attentions of grazing herbivores and the effects of the changing seasons. Along the way, the reader is introduced to the work of important botanists who have walked the woods in the past, collecting information on where plants occur and why. In-depth profiles of some of our most important and popular ground flora species provide extra detail and insight. Beautifully illustrated, Woodland Flowers is a must for anyone who appreciates and wants to learn more about British woodland and its plants.

This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised. Humans have fundamental relationships with light and dark that shape their regular social patterns and rhythms, enabling them to make sense of the world. This book ‘throws light’ on the neglect of these social patterns to emphasize how the diverse values, meanings and influences of darkness have been rarely considered. It also examines the history of our relationship with the dark and highlights how normative attitudes towards it have emerged, while also emphasising its cultural complexity by considering a contemporary range of alternative experiences and practices. Challenging notions of darkness as negative, as the antithesis of illumination and enlightenment, this book explores the rich potential of darkness to stimulate our senses and deepen our understandings of different spaces, cultural experiences and creative engagements. Offering a rich exploration of an emergent field of study across the social sciences and humanities, this book will be useful for academics and students of cultural and media studies, design, geography, history, sociology and theatre who seek to investigate the creative, cultural and social dimensions of darkness.

This book addresses present-day landscapes, ecosystem functioning and biodiversity as legacies of the past. It implements an interdisciplinary approach to understand how natural or human-impacted ecological systems have changed over time. Historical Ecology combines theory, methods, regional case studies and syntheses to provide a complete up-to-date overview of historical ecology. Beginning with the crucial role of time and inference from observed patterns, the book critically reviews the main methodological approaches, including monitoring of permanent plots, analysis of old maps, repeat photography, remote sensing, soil analysis, charcoal analysis, botanical indicators, and combinations of these methods applied to forest ecosystems. A series of case studies from various biomes shows how historical ecology can help in understanding today’s socio-ecosystems, such as mainland and island forests, orchards, tundra and coastal dunes. The book concludes by showing how historical ecology can answer timely fundamental research questions and provide science-based evidence for landscape and ecosystem management.