Uncountable books have been written on the Nicaraguan revolution in 1979, due to the fascination connected with the idea of revolution in general and with its realization in Nicaragua in particular. This book retells the story of the Nicaraguan revolution with the words of women, aiming to show how a high level of transformative energy was accumulated in the Nicaraguan society over time, based on a common utopian vision of a better future for all. The energetic upheaval can be analyzed as a Dionysian ritual. However, the book also follows up on the Apollonian aftermath of the revolution. Martina Handler is a social scientist and a graduate of the Master Program in Peace, Development, Security and International Conflict Transformation in Innsbruck, Austria.

Euripides' Bacchae is the magnum opus of the ancient world's most popular dramatist and the most modern, perhaps postmodern, of Greek tragedies. Twentieth-century poets and playwrights have often turned their hand to Bacchae, leaving the play with an especially rich and varied translation history. It has also been subjected to several fashions of criticism and interpretation over the years, all reflected in, influencing, and influenced by translation. The Gentle, Jealous God introduces the play and surveys its wider reception; examines a selection of English translations from the early 20th century to the early 21st, setting them in their social, intellectual, and cultural context; and argues, finally, that Dionysus and Bacchae remain potent cultural symbols even now. Simon Perris presents a fascinating cultural history of one of world theatre's landmark classics. He explores the reception of Dionysus, Bacchae, and the classical ideal in a violent and turmoil-ridden era. And he demonstrates by example that translation matters, or should matter, to readers, writers, actors, directors, students, and scholars of ancient drama.

The Sandinista revolution in Nicaragua inspired many North Americans, including the author of this moving and informative book. John Brentlinger made six trips to Nicaragua, both before and after the defeat of the Sandinista Party. Combining the insights of a philosopher with the experiences of a participant-observer, he interprets the Sandinista period as a people's struggle for self-realization in work, culture, politics, and community. The book alternates between journal and essay chapters, weaving descriptions of personal experiences together with interviews and analysis. Whether telling the story of the last day of a young teacher's life, describing new forms of poetry and art, examining representations of Nicaragua in the U.S. media, or discussing the government's successes and failures, Brentlinger vividly captures the spirit and enduring significance of the Sandinista revolution.