Clarence, Tony and Dommy work in a posh clothing store in New York's retail capital of SoHo. They're surrounded by fabulous people, drape themselves in the latest fashions, but they take home tiny pay checks and cannot numb themselves enough with drugs, alcohol, cheap sex and even cheaper fads. As 30 approaches fast, they must fact the dying dreams, face their greatest fears, and reckon with the various firebrands, zealots and sugar mommas who make up the women and men in their lives. All day long, they must ask customers, "Can I help you?" but these guys can barely help themselves. With the world collapsing around them, they must depend on each other to survive another weekend shift. It's the story of friendship, frocks and five dollars an hour self esteem. "Marc Spitz is one of my favorite playwrights; I have been to at least half of his dozen plays, and I have never been disappointed. He knows how to shake people up; make them laugh, gasp and gag. Expect bad taste, bad language, snappy dialogue, theatrical surprises and maybe something that really grosses you out." -Tom Murrin, Paper Magazine

The story of Marc Spitz's journey from impressionable teen to heroin addict to respected rock journalist.

Journey One: The story begins on Christmas 1988. The protagonist Alonzo/Alonso is riding on a bus crossing the Andes into Argentina from Santiago, Chile. He is traveling to San Francisco (Córdoba) to visit his exchange-student host family for the first time in ten years. During this journey, he is confronted with memories of the past through a continuous series of flashbacks. These include growing up black in a racially divided Chicago; the lingering effects of a sexual assault at ten; living in Madrid, Spain for two years; and his first visit to Argentina as an American Field Service participant, arriving to the town of San Francisco on his host brother s birthday and a day before Argentina won its first World Cup soccer championship. The first part ends when his host brother Sergio is smitten with a beautiful young travel agent assisting them in rearranging Alonzo s return ticket to the States. Journey Two: Alonzo returns to Argentina after one year and three months to be his host brother s best man; Sergio is marrying the young lady who assisted them in the travel agency. Alonzo s week-long stay and, in particular, Sergio s wedding day, are highlighted. This section ends at the Córdoba International Airport with Alonzo giving his good-byes to his host parents. Journey Three: The final portion focuses on specific events from 1994 2009. It begins in July 1994 with the death of Alonzo s mother, followed eight months later by the death of a sister from cancer. Subsequent chapters highlight his relocation from Lafayette, Indiana, to Ann Arbor, Michigan (with a month-long stay in Toledo, Ohio, during the OJ Simpson trial proceedings) and finding employment at the University of Michigan; traveling to Argentina in 1997, and again in 1999 for the last time; and finally, corresponding with Sergio in December 2009 from Santiago, Chile, before returning to the States after visiting a friend in Viña del Mar.

Vodka Seven is the dynamic and electrifyingly quick paced novel about a circle of friends... seven affluent twenty somethings living their glamorous yet troubled lives amid poor choices, high fashion and copious amounts of alcohol. And all of them searching for a little bit of hope, and maybe some redemption...

Fitzgerald was once a twee wallflower. He's remade his image as a tough, junkie hipster and wants to take his Smiths obsessed, cardigan-wearing friends with him. Fearing resistance, he approaches a surly, Australian pimp, Blixa and hires her "finest bitch" Kylie, to "de-virginize them." He pays for Kylie's services with bad dope. When a furious Blixa shows up for revenge, what is supposed to be the most special night of Rodney and Stew's life could very well be their last on earth. Heroin, Morrissey, Nick Drake, Nick Cave, Toto Cuelo, Chinese egg rolls and a baby snatching dingo all figure into this fast, fearless, pitch black sex farce. "Spitz writes with a buoyant irreverence that may evoke rewarding memories at times of playwrights Joe Orton and Charles Busch. And he's not afraid to address life's really big questions, such as what is the ideal recording to listen to the first time you have sex?" -Chip Deffaa, The New York Post

Bug Blowmonkey does so much cocaine that he has developed a friendship with one of his chemically induced hallucinations: the confused but still righteous ghost of Marvin Gaye. Estranged from the one woman he had feelings for, Bug begins to question his compulsion to get so numb and frigid. When he meets a new woman, he tries to strip away the icy, hipster facade and accept her for who she is: and not the idealized Vertigo-style duplicate of the pristine ghost he needs to break away from. Will he break away from Marvin Gaye as well? And just how will Marvin take this? A hallucinatory, funny, sad drug dream about longing and the slippery grip on "self help." "Marc Spitz is one of my favorite playwrights; I have been to at least half of his dozen plays, and I have never been disappointed. He knows how to shake people up; make them laugh, gasp and gag. Expect bad taste, bad language, snappy dialogue, theatrical surprises and maybe something that really grosses you out." -Tom Murrin, Paper Magazine