It is a most incredible sight: a corpse sitting at the reins of a hansom cab–and not just any corpse, but the body of a peer of the realm. To Inspector Thomas Pitt and his wife, Charlotte, this macabre apparition seems like sheer lunacy. Who would ever want to exhume a decently buried old chap like Lord Augustus Fitzroy-Hammond? A doctor insists that Lord Augustus’s death was natural. But as far as the police are concerned, there’s certainly nothing natural about any of this gristly aftermath. Inspector Pitt is determined to unearth the truth–even if the digging puts his own life at perilous risk.

Olivia Foster hasn't felt alive since her little brother drowned in the backyard pool three years ago. Then Kara Hallas moves in across the street with her mother and grandmother, and Olivia is immediately drawn to these three generations of women. Kara is particularly intoxicating, so much so that Olivia not only comes to accept Kara's morbid habit of writing to men on death row, she helps her do it. They sign their letters as the Resurrection Girls. But as Kara’s friendship pulls Olivia out of the dark fog she’s been living in, Olivia realizes that a different kind of darkness taints the otherwise lively Hallas women—an impulse that is strange, magical, and possibly deadly.

“[A] stunning debut . . . reminds me of my most favorite authors: J. D. Salinger, Carson McCullers, Truman Capote, Joan Didion.” —A. M. Homes, winner of the Women’s Prize for Fiction Kirkus Reviews’s Best Fiction of 2017 Booklist’s Top 10 First Novels: 2017 The New York Times Book Review’s Editors’ Choice Indie Next Pick for September 2017 Bustle’s 9 Fall Book Debuts by Women You’re Going to Want to Read Immediately Nantucket Magazine’s 7 for September 2017 Entertainment Weekly’s Thirteen Books to Read in August San Diego Magazine’s Your Book Shelf: 5 Books to Read in August I viewed the consumptive nature of love as a threat to serious women. But the wonderful man I just married believes as I do—work is paramount, absolutely no children—and now love seems to me quite marvelous. These words are spoken to a rapturous audience by Joan Ashby, a brilliant and intense literary sensation acclaimed for her explosively dark and singular stories. When Joan finds herself unexpectedly pregnant, she is stunned by Martin’s delight, his instant betrayal of their pact. She makes a fateful, selfless decision then, to embrace her unintentional family. Challenged by raising two precocious sons, it is decades before she finally completes her masterpiece novel. Poised to reclaim the spotlight, to resume the intended life she gave up for love, a betrayal of Shakespearean proportion forces her to question every choice she has made. Epic, propulsive, incredibly ambitious, and dazzlingly written, The Resurrection of Joan Ashby is a story about sacrifice and motherhood, the burdens of expectation and genius. Cherise Wolas’s gorgeous debut introduces an indelible heroine candid about her struggles and unapologetic in her ambition.

Someone on posh Callander Square will kill to keep a secret in this “superior” mystery from the New York Times–bestselling author of Twenty-One Days (The San Diego Union-Tribune). When two dead infants are dug up in the Callander Square gardens, the upper-class residents dismiss the burials as the desperate act of a low-born girl and resent the intrusion of Inspector Thomas Pitt into their well-ordered lives. Pitt is not convinced that the case should be so easily dropped. Also intrigued by the mystery, Pitt’s well-born wife, Charlotte, pursues her own investigation into places Thomas would never have access—the parlors and inner chambers of the mansions on the fashionable square. With her sister Emily, Lady Ashworth, who lives on Callander Square, she delves into the lives and secrets of the residents. Thomas and Charlotte, now expecting their first child, form the perfect sleuthing couple. Elegant closets soon spill their skeletons exposing long-hidden secrets—secrets that could lead even the most upright aristocrat to kill. But will Pitt’s keen investigative skills and Charlotte’s insights into the workings of high-class society solve the mystery in time to save the innocent residents of Callander Square from the murderer among them? Callander Square is the 2nd book in the Charlotte and Thomas Pitt Novels, but you may enjoy reading the series in any order. /DIV

ONE OF THE YEAR’S 10 BEST MYSTERY NOVELS — PUBLISHERS WEEKLY Finalist for the CWA (Crime Writers’ Association) Gold Dagger Finalist for John Creasey (New Blood) Dagger Awards From Australia’s most exciting new crime-writing talent comes an “outstanding . . . gripping and violent” thriller starring a deaf PI who is “original and appealing” (The Guardian) Caleb Zelic can’t hear you, but he sees everything. And he never forgets a face. Caleb Zelic's childhood friend has been brutally murdered—fingers broken, throat slit—at his home in Melbourne. Tortured by guilt, Caleb vows to track down the killer. But he's profoundly deaf; missed words and misread lips can lead to confusion, and trouble. Fortunately, Caleb knows how to read people; a sideways glance, an unconvincing smile, speak volumes. When his friend Frankie, a former cop, offers to help, they soon discover the killer is on their tail. Sensing that his ex-wife may also be in danger, Caleb insists they return to their hometown of Resurrection Bay. But here he learns that everyone—including his murdered friend—is hiding something. And the deeper he digs, the darker the secrets . . .

Mary, Mary... Always hitchhiking the same lonely highway, she calls herself Rhee, but everyone else knows her as Resurrection Mary. With her sisters, they are the Marys, embodiments of urban legend and what goes bump in the night, every child's nightmare. Rhee must unravel who the Marys are before the darkness claims them.

A Theological Dictionary, Containing Definitions of All Religious Terms by Charles Buck, first published in 1831, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.