This volume examines what the followers of Jesus meant when they declared that he was raised from the dead. This claim, which lies at the core of Christian faith, is one of the most controversial topics in Christianity. Jesus' resurrection has no analogy in human history. Although many 1st-century Jews expected the resurrection of the dead at the end of time, the Christian claim that this had already happened to one individual within the realm of history was unprecedented. Moreover, an affirmation of Jesus' bodily resurrection contradicts the known laws of nature. Additional difficulty comes from the nature of the available evidence. The New Testament sources not only mirror the worldview of ancient authors but also differ with regard to who saw him alive, what was the nature of his risen body, and whether the empty tomb was a widespread knowledge or an assumption based on prior beliefs. Novakovic presents all these issues in a clear and methodical way. She examines the literary sources and addresses various questions related to historical investigations of Jesus' resurrection.

The author of the world wide best-seller, Small Is Beautiful, now tackles the subject of Man, the World, and the Meaning of Living. Schumacher writes about man's relation to the world. man has obligations -- to other men, to the earth, to progress and technology, but most importantly himself. If man can fulfill these obligations, then and only then can he enjoy a real relationship with the world, then and only then can he know the meaning of living. Schumacher says we need maps: a "map of knowledge" and a "map of living." The concern of the mapmaker--in this instance, Schumacher--is to find for everything it's proper place. Things out of place tend to get lost; they become invisible and there proper places end to be filled by other things that ought not be there at all and therefore serve to mislead. A Guide for the Perplexed teaches us to be our own map makers. This constantly surprising, always stimulating book will be welcomed by a large audience, including the many new fans who believe strongly in what Schumacher has to say.

Christians agree that they are saved through the death and resurrection of Christ. But how is the atonement achieved in these events? This book offers an introduction to the doctrine of the atonement focused on the unity and diversity of the work of Christ. Johnson reorients current patterns of thought concerning Christ's work by giving the reader a unifying vision of the immensely rich and diverse doctrine of the atonement, offering a sampling of its treasures, and cultivating the desire to further understand and apply these riches to everyday life. Where introductions to the atonement typically favor one aspect of the work of Christ, or work with a set number of themes, aspects or theories, this book takes the opposite approach, developing the foundation for the multi-faceted nature of Christ's work within the being of God himself. It offers a grand unifying vision of Christ's manifold work. Specific elaborations of different theories of the atonement, biblical themes, and the work of different theologians find their place within this larger rubric.

This volume offers an advanced introduction to major issues related to the resurrection of Jesus

The introduction to this new guide sets out the sources (Graeco-Roman, Jewish and Christian), noting the problems connected with them, paying particular attention to the nature of the gospels, and the Synoptic versus the Johannine tradition. A substantial section will discuss scholarship on Jesus from the nineteenth century to the explosion of works in the present day, introducing and explaining the three different 'quests' for the historical Jesus. Subsequent chapters will analyse key themes in historical Jesus research: Jesus' Galilean origins; the scope of his ministry and models of 'holy men', particularly that of prophet; Jesus' teaching and healing; his trial and crucifixion; the highly contentious question of his resurrection; and finally an exploration of the links between the Jesus movement and the early church. Throughout, the (often opposing) positions of a variety of key scholars will be explained and discussed (eg. Sanders, Crossan, Dunn, Wright, Brown).

A classic of medieval Jewish philosophy, Maimonides’s Guide of the Perplexed is as influential as it is difficult and demanding. Not only does the work contain contrary—even contradictory—statements, but Maimonides deliberately wrote in a guarded and dissembling manner in order to convey different meanings to different readers, with the knowledge that many would resist his bold reformulations of God and his relation to mankind. As a result, for all the acclaim the Guide has received, comprehension of it has been unattainable to all but a few in every generation. Drawing on a lifetime of study, Alfred L. Ivry has written the definitive guide to the Guide—one that makes it comprehensible and exciting to even those relatively unacquainted with Maimonides’ thought, while also offering an original and provocative interpretation that will command the interest of scholars. Ivry offers a chapter-by-chapter exposition of the widely accepted Shlomo Pines translation of the text along with a clear paraphrase that clarifies the key terms and concepts. Corresponding analyses take readers more deeply into the text, exploring the philosophical issues it raises, many dealing with metaphysics in both its ontological and epistemic aspects.

An album which distilled a genre from the musical, cultural, and social ether, Portishead's Dummy was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. RJ Wheaton offers an impressionistic investigation of Dummy that imitates the cumulative structure of the album itself, piecing together interviews, impressions of time and place, cultural criticism, and a thorough exploration of the music itself. The approach focuses as much on the reception and response that Dummy engendered as it does on the original production of the album. How is that so many people have, collectively, made a quintessential headphone album into a nightclub album? How have they made the product of a niche local scene into an international success? This is the story of how an innovative, experimental album became the iconic sound for the better part of a decade; and an aesthetic template for the experience of music in the digital age.