It may seem astonishing to some that there is a need for reprinting a 14-year old dissertation, but the fact is that the book is exactly as relevant to scholars today as it was in 1993. It still represents the world's largest database to compare the responsories of the Office of the Dead in more than 2,000 sources. Since the order of these responsories differed from church to church, this order can be used to localize medieval and Renaissance liturgical books. The book is therefore an absolute necessity for everyone who conducts research on the area it covers. Put differently, the book reveals 'the geography of the concept of death' in Europe from the 9th-16th centuries from a theological, liturgical, ecclesiastical, musical and political perspective - seen from one particular liturgical office: The Office of the Dead.

How does the Bible form our worship practices? How does liturgy incorporate the Bible? The Liturgy and Life Study Bible explores these questions and provides answers for today’s church. This indispensable guide includes essays from the world’s top liturgical and biblical scholars on a variety of subjects, including Jewish liturgical traditions, Psalms as liturgical prayer, early church worship, social justice, sacraments, the Last Supper, and more. Throughout the biblical text, brief comments flag passages that contain something of liturgical or personal prayer interest. A correlation chart highlights the intersection between biblical passages and the Catholic liturgy, listing every place where a verse of the Bible appears in any liturgical book: the Missal, the orders of sacramental rites, even the Roman Gradual and the Martyrology. This one-of-a-kind tool will serve researchers, catechists, preachers, and anyone studying the Bible for the purposes of prayer and meditation. Uses the New American Bible, Revised Edition. Cover art by Jan Richardson. Includes eight full color map images.

A study of medieval monophonic music. The text focuses on its movement away from the concept of chants as products and towards the idea of chants as processes. The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chants circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant.

Photographic reconstruction and analysis of a twelfth-century liturgical manuscript from the Austrian monastery in Lambach.

Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.