Soundscapes profoundly connect listeners to the places they inhabit and thereby reveal the vibrant and resonant fabrics that lie beneath the delineated spaces of visual representation. In Resonant Fabrics, Marvin Heine explores and celebrates the many-layered and ambiguously undulating sense- and soundscapes as they shape and are shaped by urban cultures and particular ways of listening. By examining historical documents, contemporary accounts, and original empirical material through a combination of actor-network-theory, ecology, and sound studies scholarship, he embraces, in a stylistically embodied and often poetic manner, the sonic urban world in all its fragile, ephemeral, yet deeply affective sonority.

Developments in the science and technology of textiles are not only limited to apparel and fashion. Certainly, there are research efforts aimed at improving the construction and processing of textiles for clothing—such as studies on cleaner production to reduce environmental impact, increasing the utilization of fibers and process chemicals from renewable resources, and on the recycling of materials from post-consumer waste apparel back into the manufacturing of new clothing articles. In addition, technological concepts developed for the creation of clothing over the centuries are now being investigated for use in a diverse array of fields—such as in the manufacture of engineering composites, personal protective equipment, and medicine. Further, developments in other fields—such as electronics, nanotechnology, and information and communication technologies—are being investigated for their incorporation into apparel and clothing to create “smart textiles”. The aim of this Special Issue is to put together a collection of scientific reports on such efforts to highlight the range of scientific and technological issues that are being targeted and the ingenuity of the methodologies employed to find answers. It is hoped that readers of this issue will come away with an appreciation of the research being conducted in this area, and perhaps gain inspiration for their own scientific endeavors.

Textile artist and surface designer Mandy Pattullo marries fabric with collage techniques to produce beautiful pieces of art. In Textile Collage she shows a fresh way to use scraps and oddments of fabrics to create something unique and personal, while also being economical – perfect for those who have hoarded bits of fabric, trim and memory-filled domestic textiles over the years. Chapter one covers 'Materials': collecting and sourcing fabric including unpicking and storing found fabric. In chapter two, 'Make', Mandy guides you through all the artistic and creative elements that you need to consider to create a beautiful collage. The following chapter 'Portray' looks at piecing together a collaged portrait – human or animal – showing the figurative approach in collage work that includes transfer images and using found photographs. In the chapter 'Worn', the collage technique is used to embellish skirts, jackets and accessories. The final chapter 'Book' looks at the fabric book as a receptacle for textile collage, with a range of approaches and forms explored. This is a wonderful resource for all textilers looking to make the most of the found fabrics they love and fully explore the technique of collage with textiles.

The two-volume set LNCS 9774 and 9775 constitutes the refereed proceedings of the 10th International Conference EuroHaptics 2016, held in London, UK, in July 2016. The 100 papers (36 oral presentations and 64 poster presentations) presented were carefully reviewed and selected from 162 submissions. These proceedings reflect the multidisciplinary nature of EuroHaptics and cover topics such as perception of hardness and softness; haptic devices; haptics and motor control; tactile cues; control of haptic interfaces; thermal perception; robotics and sensing; applications.