This study highlights the connections between power, cultural products, resistance, and the artistic strategies through which that resistance is voiced in the Middle East. Exploring cultural displays of dissent in the form of literary works, films, and music, the collection uses the concept of 'cultural resistance' to describe the way culture and cultural creations are used to resist or even change the dominant political, social, economic, and cultural discourses and structures either consciously or unconsciously. The contributors do not claim that these cultural products constitute organized resistance movements, but rather that they reflect instances of defiance that stem from their peculiar contexts. If culture can be used to consolidate and perpetuate power relations in societies, it can also be used as the site of resistance to oppression in its various forms: gender, class, ethnicity, and sexuality, subverting existing dominant social and political hegemonies in the Middle East.

During the uprisings of the Arab Spring, oppositional movements used political humor to criticize political leaders or to expose the absurdities of sociopolitical conditions. This comprehensive study of political humor in the uprisings explores the varieties and functions of humor as a creative tool for resistance.

Comic books for adults have become one of the most novel and colourful forms of cultural expression in the Arab world today. During the last ten years, young Arabs have crafted stories explaining issues such as authoritarianism, resistance, war, sex, gender relations and youth culture. These are distributed through informal channels as well as independent bookstores and websites. Events like the annual Cairocomix festival in Egypt and the Mahmoud Kahil Award in Lebanon evidence the importance of this cultural phenomenon. Comics in Contemporary Arab Culture focuses on the production of these comics in Egypt and Lebanon, countries at the forefront of the development of the genre for adults. Jacob Hoigilt guides the reader through the emergence of independent comics, explores their social and political critique, and analyses their visual and verbal rhetoric. Analysing more than 50 illustrations, included here, he shows that Arab comics are revealing of the changing attitudes towards politics, social relations and even language. While political analysts often paint a bleak picture of the Arab world after 2011, this book suggests that art and storytelling continue to nourish a spirit of liberty and freedom despite political setbacks. Comics in Contemporary Arab Culture provides a fresh and original insight into the politics of the Middle East and cultural expression in the Arab World.

''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton

Examining different forms of resistance among Shi'i women in the Middle East and Europe, this book studies the performance of sectarian and gender power relations as expressed in Shi'i ritual practices. It provides a new transnational approach to researching gender agency in contemporary Islamic movements in both the Middle East and Europe.

Over the last three decades, Hezbollah has developed from a small radical organization into a major player in the Lebanese, regional, and even international political arenas. Its influence in military issues is well known, but its role in shaping cultural and political activities has not received enough attention. Kanaaneh sheds new light on the organization’s successful evolution as a counterhegemonic force in the region’s resistance movement, known as “Muqawama.” Founded on the idea that Islam is a resisting religion, whose real heroes are the poor populations who have finally decided to take action, Hezbollah has shifted its focus to advocate for social justice issues and to attract ordinary activists to its cause. From the mid-1990s on, Hezbollah has built alliances that allow it to pursue soft power in Lebanon, fighting against both the dominant Shi‘ite elites and the Maronite-Sunni, as well as Israeli and US influence in the region. Kanaaneh argues that this perpetual resistance—military as well as cultural and political—is fundamental to Hezbollah’s continued success.

As one of the foundational texts in the field of postcolonial writing, Barbara Harlow’s Resistance Literature introduced new ground in Western literary studies. Originally published in 1987 and now reissued with a new Preface by Mia Carter, this powerfully argued and controversial critique develops an approach to literature which is essentially political. Resistance Literature introduces the reader to the role of literature in the liberation movements of the developing world during the 20th Century. It considers a body of writing largely ignored in the west. Although the book is organized according to generic topics – poetry, narrative, prison memoirs – thematic topics, and the specific historical conditions that influence the cultural and political strategies of various resistance struggles, including those of Palestine, Nicaragua and South Africa, are brought to the fore. Among the questions raised are the role of women in the developing world; communication in circumstances of extreme atomization; literature versus propaganda; censorship; and the problem of adopting literary forms identified with the oppressor culture.