Comprehensive commentaries on the Homeric texts abound, but this commentary concentrates on one major aspect of the Odyssey--its narrative art. The role of narrator and narratees, methods of characterization and scenery description, and the development of the plot are discussed. The study aims to enhance our understanding of this masterpiece of European literature. All Greek references are translated and technical terms are explained in a glossary. It is directed at students and scholars of Greek literature and comparative literature.

The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts. The contributions explore the heuristic fruitfulness of various narratological categories and show that, in combination with other approaches such as studies in deixis, performance studies and reader-response theory, narratology can help to elucidate the content of narrative form. Besides exploring new theoretical avenues and offering exemplary readings of ancient epic, lyric, tragedy and historiography, the volume also investigates ancient predecessors of narratology.

The archaic context of vengeance -- Vengeance in the Odyssey: tisis as narrative -- Three narratives of divine vengeance -- Odysseus' terrifying revenge -- The multiple meanings of Odysseus' triumphs -- The end of the Odyssey.

The Anonymity of a Commentator examines the life and writings of the Egyptian Sufi-scholar Zakariyyā al-Anṣārī (d. 926/1520), the longest-serving chief Shāfi'ī justice to the Mamlūk sultanate during its final years. It analyzes al-Anṣārī's commentaries in the disciplines of Sufism and Islamic law as a case study to illustrate how and why Muslims produced commentaries in the later Islamic Middle Period and how the form and rhetoric of commentary writing furnished scholars like al-Anṣārī with a medium in which to express their creativity and adapt the received tradition to the needs of their time. Whereas twentieth-century scholars tended to view Muslim commentary texts as symbols of intellectual stagnation in and of themselves, contemporary scholars recognize that these texts are often the repositories of profound ideas, although they approach them with little guidance from their academic predecessors. The Anonymity of a Commentator aims to provide this guidance, through a close study of one of the most prolific commentary writers in Islamic history.

This is the second volume of a new narratological history of Ancient Greek lietrature, which deals with aspects of time: the order in which events are narrated, the amount of time devoted to the naration, and the number of times they are presented.

The Prolegomena provide an introduction to the Basler Iliad commentary. The volume includes essays on the history of Iliad commentaries and the text, formulaic language and the oral tradition, grammar, meter, characters, plot and chronological structure, narrative technique, and developments in Homeric criticism, as well as an Index of Mycenaean words with brief explanations.