Kazuko Kuramoto was born and raised in Dairen, Manchuria, in 1927, at the peak of Japanese expansionism in Asia. Dairen and the neighboring Port Arthur were important colonial outposts on the Liaotung Peninsula; the train lines established by Russia and taken over by the Japanese, ended there. When Kuramoto's grandfather arrived in Dairen as a member of the Japanese police force shortly after the end of the Russo-Japanese War in 1905, the family's belief in Japanese supremacy and its "divine" mission to "save" Asia from Western imperialists was firmly in place. As a third-generation colonist, the seventeen-year-old Kuramoto readily joined the Red Cross Nurse Corps in 1944 to aid in the war effort and in her country's sacred cause. A year later, her family listened to the emperor's radio broadcast ". . . we shall have to endure the unendurable, to suffer the insufferable." Japan surrendered unconditionally. Manchurian Legacy is the story of the family's life in Dairen, their survival as a forgotten people during the battle to reclaim Manchuria waged by Russia, Nationalist China, and Communist China, and their subsequent repatriation to a devastated Japan. Kuramoto describes a culture based on the unthinking oppression of the colonized by the colonizer. And, because Manchuria was, in essence, a Japanese frontier, her family lived a freer and more luxurious life than they would have in Japan—one relatively unscathed by the war until after the surrender. As a commentator Kuramoto explores her culture both from the inside, subjectively, and from the outside, objectively. Her memoirs describe her coming of age in a colonial society, her family's experiences in war-torn Manchuria, and her "homecoming" to Japan—where she had never been—just as Japan is engaged in its own cultural upheaval.

Since the seventeenth century, Chinese, Japanese, Manchu, Russian, and other imperial forces have defied Manchuria’s unrelenting summers and unforgiving winters to fight for sovereignty over the natural resources of Northeast Asia. Until now, historians have focused on rivalries between the region’s imperial invaders. Empire and Environment in the Making of Manchuria examines the interplay of climate and competing economic and political interests in the region’s vibrant – and violent – cultural narrative. In this unique and compelling analysis of Manchuria’s environmental history, contributors demonstrate how geography shaped the region’s past. Families that settled this borderland reaped its riches while at the mercy of an unforgiving and hotly contested landscape. As China’s strength as a world leader continues to grow, this volume invites exploration of the indelible links between empire and environment – and shows how the geopolitical future of this global economic powerhouse is rooted in its past.

"Knowing Manchuria places the creation of knowledge about nature at the center of our understanding of one of the world's most contested borderlands. At the intersection of China, Russia, Korea, and Mongolia, Manchuria is known as a site of war and environmental extremes, where projects of political control intersected with projects designed to make sense of Manchuria's multiple environments. Covering over 500,000 square miles (comparable in size to all the land east of the Mississippi) Manchuria's landscapes included temperate rain forests, deserts, prairies, cultivated plains, wetlands, and Siberian taiga. Ruth Rogaski reveals how paleontologists and indigenous shamans, and many others, made sense of the Manchurian frontier. She uncovers how natural knowledge and thus "the nature of Manchuria" itself changed over time, from a sacred "land where the dragon arose" to a global epicenter of contagious disease; from a tragic "wasteland" to an abundant granary that nurtured the hope of a nation"--

Long described as lost, this report was the result of Mao Zedong's investigation in 1930 of the people, economy, society and history of the obscure rural county of Xunwu in South China. An extraordinary document that far exceeds in scope and depth Mao's other investigative reports on rural China, the report is a rich source of information on rural administration, commerce, transportation, communication, education, land tenure, taxation, religion, diverse social relations and practices and struggle in one obscure area that was a microcosm of China. Thompson has translated and presented Mao's report with extensive notes. The book is designed to be accessible to non-specialists, and it will be welcomed by those interested in the Chinese countryside, comparative revolution and historical anthropology. Because Mao's report on Xunwu was part of a revolutionary programme, the report raises complex questions about academic and activist readings of social realities.

Moving the critical debate about photography away from its current Euro-American center of gravity, Photography’s Other Histories breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a radically different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice—in the actual making of pictures—suggest the extraordinary diversity of nonwestern photography. Richly illustrated with over 100 images, Photography’s Other Histories explores from a variety of regional, cultural, and historical perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Dine' artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria to the changing "contract" between Aboriginal subjects and photographers. Other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. Photography’s Other Histories recasts popular photography around the world, as not simply reproducing culture but creating it. Contributors. Michael Aird, Heike Behrend, Jo-Anne Driessens, James Faris, Morris Low, Nicolas Peterson, Christopher Pinney, Roslyn Poignant, Deborah Poole, Stephen Sprague, Hulleah Tsinhnahjinnie, Christopher Wright

The China Factor in Modern Japanese Thought examines the ideas of Tachibana Shiraki, 1881–1945, a revisionist within the Japanese Kangaku tradition, which focused on incorporating Chinese elements into Japanese culture. Tachibana advocated the study of popular culture as the key to understanding contemporary society. When militarism was on the ascendant, Tachibana was a vocal critic of military solutions. Yet his services were sought for by the radical elements of the Japanese military he criticized. Through his writings we gain a clearer view of the continuing processes of policy debate in occupied Manchuria. Tachibana articulated his faith that the historical destinies of China and Japan were joined, and much of his career was engaged in persuading his countrymen that Japan should use its influence to promote social and economic reforms in China, and act as a positive force to facilitate the Chinese revolution as the means of cultivating a lasting Japanese influence.