The book of Ruth seems simple. It is the tale of a poor Moabite widow who relocates to Bethlehem and finds security there when she marries Boaz, a wealthy Israelite man. Although the plot is simple, the book’s message is elusive. Re(reading Ruth) demonstrates how careful attention to the book’s structure, allusions, wordplay, and location in the canon can reveal the dynamic ways that it engages with other biblical stories and how that engagement shapes its message.

The book of Ruth seems simple. It is the tale of a poor Moabite widow who relocates to Bethlehem and finds security there when she marries Boaz, a wealthy Israelite man. Although the plot is simple, the book's message is elusive. Re(reading Ruth) demonstrates how careful attention to the book's structure, allusions, wordplay, and location in the canon can reveal the dynamic ways that it engages with other biblical stories and how that engagement shapes its message.

By weaving discussions of the personal and professional writings of Ruth Benedict, Margaret Mead presents the anthropologist's work in the context of her life and times. Mead also defends Benedict's humanistic approach to anthropology as she considers considers her most important works. In addition to a selection of Benedict's anthropological writings, this edition includes new forewords by two leading Benedict scholars.

This volume, using multiple methods, seeks to bring together the best scholarship and insight-Jewish and Christian, past and present-that has contributed to our understanding and appreciation of the biblical book of Ruth. As a feminist commentary, it is particularly sensitive to issues of relationship and inclusion, power and agency. In addition to the voices of the primary co-authors, Alice Laffey and Mahri Leonard-Fleckman, the volume incorporates and integrates important contributing voices from diverse contemporary social contexts and geographical locations. In sum, the commentary seeks to allow Ruth, Naomi, and Boaz to speak again for the first time.

Through this interactive study of Naomi and Ruth, women will discover the power of committing to one another for walking the journey of faith. As spiritual "mothers and daughters" in Christ, the relationship of a younger woman and an older woman is based on mutual caring and sharing. As the spiritual daughter learns wisdom for life from her mentor, they can realize their potential for intimate relationships with one another that God will use in dynamic ways.

From a New York Times–bestselling author: A chilling psychological thriller about one man’s murderous obsession with his childhood sweetheart. Growing up in the roughest part of London, Guy Curran never imagined he would fall in love with a rich girl. But from the moment he meets Leonora Chisholm, he knows it’s their destiny to be together. They have a short, passionate teenage fling—over almost before it begins. Leonora moves on, but Guy never will. His love for her is dangerous, and it will destroy them both. Over the next ten years, Guy becomes a millionaire, selling hard drugs and bad art to the jet set of Western Europe. He and Leonora remain friends, sharing weekly lunches—until the day he learns she’s fallen in love with someone else. Seized by murderous jealousy, Guy is about to embark on a mad quest to claim the woman he desires—or die trying. “Rendell is a master of depicting the long, slow slide into madness” and Going Wrong shows her brilliant ability to walk the line between elegance and terror (Publishers Weekly).

Aside from Ruth Rendell's brilliance as a fiction writer, and her appeal to mystery lovers, her books portray a compelling, universal experience that her readers can immediately relate to, the intra-familial stresses generated by the nuclear family. Even those who experience the joys as well as pains of family life will find in Rendell the conflicts that beset all who must navigate their way through the conflicts that beset members of the closest families. Barbara Fass Leavy analyzes the multi-leveled treatment of these themes that contributes to Rendell's standing as a major contemporary novelist. Rendell, who also writes as Barbara Vine, draws on ancient Greek narratives, and on the psychological theories Sigmund Freud and Carl Jung derived from them, to portray the disturbed family relationships found throughout her work. Leavy's analysis considers what distinguishes mysteries as popular entertainment from crime fiction as literary art. The potential for rereading even when the reader remembers "whodunit" will be the basis for this distinction. Leavy also looks closely at the Oedipus and Electra complexes and how they illuminate Rendell's portrayals of the different pairings within the nuclear family (for example, mother and daughter) and considers the importance of gender differences. In addition, Leavy corrects a widespread error, that Freud formulated the Electra complex, when in fact the formulation was Jung's as he challenged Freud's emphasis on the Oedipus story as the essential paradigm for human psychological development.