Set in modern-day Washington, D.C., Requiem for the Devil depicts the end of the Devil's ten-billion-year career. For the first time in his existence, Lucifer falls in love, and this event threatens to transform his identity and perhaps even his destiny. Gianna O'Keefe is the woman who drags him out of his ancient despair and points him toward possible salvation. Yet Lucifer's path from evil is neither straight nor smooth. Pursuing love means betraying his fellow fallen angels, the loyal friends who once followed him to damnation. Divine and infernal forces seem to conspire against his and Gianna's union. Lucifer's empire crumbles around him as he dares to defy the natural order and question his fate.

The Mercenary Librarians and the Silver Devils are back in The Devil You Know, the next installment of USA Today and New York Times bestselling author Kit Rocha’s post-apocalyptic action/romance, with hints of Orphan Black and the Avengers Maya has had a price on her head from the day she escaped the TechCorps. Genetically engineered for genius and trained for revolution, there’s only one thing she can’t do—forget. Gray has finally broken free of the Protectorate, but he can’t escape the time bomb in his head. His body is rejecting his modifications, and his months are numbered. When Maya’s team uncovers an operation trading in genetically enhanced children, she’ll do anything to stop them. Even risk falling back into the hands of the TechCorps. And Gray has found a purpose for his final days: keeping Maya safe. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LATE NIGHT RADIO YOU CAN SINK YOUR TEETH INTO Recovering con artist Ciara Griffin is trying to live the straight life, even if it means finding a (shudder!) real job. She takes an internship at a local radio station, whose late-night time-warp format features 1940s blues, '60s psychedelia, '80s goth, and more, all with an uncannily authentic flair. Ciara soon discovers just how the DJs maintain their cred: they're vampires, stuck forever in the eras in which they were turned. Ciara's first instinct, as always, is to cut and run. But communications giant Skywave wants to buy WVMP and turn it into just another hit-playing clone. Without the station -- and the link it provides to their original Life Times -- the vampires would "fade," becoming little more than mindless ghosts of the past. Suddenly a routine corporate takeover is a matter of life and undeath. To boost ratings and save the lives of her strange new friends, Ciara rebrands the station as "WVMP, the Lifeblood of Rock 'n' Roll." In the ultimate con, she hides the DJs' vampire nature in plain sight, disguising the bloody truth as a marketing gimmick. WVMP becomes the hottest thing around -- next to Ciara's complicated affair with grunge vamp Shane McAllister. But the "gimmick" enrages a posse of ancient and powerful vampires who aren't so eager to be brought into the light. Soon the stakes are higher -- and the perils graver -- than any con game Ciara's ever played....

When Peter Parker was bitten by a radioactive spider, he became much more than the shy, introverted high school student he had always been. Now possessed of the proportionate strength, speed, and agility of a spider, he sought to use his newfound abilities to achieve wealth and fame. But after his beloved Uncle Ben was murdered, the grief-stricken youth soon realized that with great power comes great responsibility. Now Peter wages a one-man crusade against crime...in the costumed identity of the amazing Spider-Man!

When Dr. Brownes partner retires, his practice is taken over by Dr. Forbes Q. Hazzig, who becomes a zealot for a managed care revolution of marketplace medicine. Browne and his associate Dr. Kennes receive irrational, discordant information from healthcare experts, consultants and economists. Browne learns that rhetoric of a mass movement must be as erroneous as possible promising a vague, glorious future. Hazzig grows immensely rich and gains enormous power relying on intimidation and coercion. Joanna Brownes exhibition of J.M.W. Turner becomes a thrilling success, yet Hazzigs wife succeeds in eliminating Joannas position at East Valley Museum of Art. Joanna must accept a position at a distant university; her absence devastates Browne. Browne and Kennes discover managed care was based on a Washington bureau hoax, the health maintenance strategy of 1973: an irrational mass movement, a mass hysteria. Hazzig plots to humiliate and ruin the two doctors; each threat goes awry. Hazzig is discredited; his illusory wealth collapses. Reunited with Joanna, Dr. Browne receives a disturbing invitation to return to East Valley to be recognized with Dr. Kennes for their efforts to expose the folly of managed care. Browne is reluctant to relive his lonely, troubled, distressed past.

During the summer of 1969-the summer Americans first walked on the moon-musician and poet Patti Smith recalled strolling down the Coney Island Boardwalk to a refreshment stand, where "pictures of Jesus, President Kennedy, and the astronauts were taped to the wall behind the register." Such was the zeitgeist in the year of the moon. Yet this holy trinity of 1960s America would quickly fall apart. Although Jesus and John F. Kennedy remained iconic, by the time the Apollo Program came to a premature end just three years later few Americans mourned its passing. Why did support for the space program decrease so sharply by the early 1970s? Rooted in profound scientific and technological leaps, rational technocratic management, and an ambitious view of the universe as a realm susceptible to human mastery, the Apollo moon landings were the grandest manifestation of postwar American progress and seemed to prove that the United States could accomplish anything to which it committed its energies and resources. To the great dismay of its many proponents, however, NASA found the ground shifting beneath its feet as a fierce wave of anti-rationalism arose throughout American society, fostering a cultural environment in which growing numbers of Americans began to contest rather than embrace the rationalist values and vision of progress that Apollo embodied. Shifting the conversation of Apollo from its Cold War origins to larger trends in American culture and society, and probing an eclectic mix of voices from the era, including intellectuals, religious leaders, rock musicians, politicians, and a variety of everyday Americans, Matthew Tribbe paints an electrifying portrait of a nation in the midst of questioning the very values that had guided it through the postwar years as it began to develop new conceptions of progress that had little to do with blasting ever more men to the moon. No Requiem for the Space Age offers a narrative of the 1960s and 1970s unlike any told before, with the story of Apollo as the story of America itself in a time of dramatic cultural change.

From 1922 until his death in 1954, Wilhelm Furtwangler was the foremost cultural figure of the German-speaking world, conductor of both the Berlin and Vienna Philharmonic orchestras. But his decision to remain in Germany when the Nazis came to power earned him condemnation as a Nazi collaborator--"The Devil's Music Master". 30 halftones.