This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.

Discover the beauty and craftsmanship of carved ivory with this stunning collection of reproductions from the renowned South Kensington Museum. Featuring a range of styles and periods, from medieval to modern, this book offers a fascinating glimpse into a lesser-known aspect of art history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.

This monograph outlines an integrative framework that conceptualizes the role of relations of control in human reproduction and long-term population dynamics. It thereby draws on the demographic transition theory, sexuality studies, Foucault’s concept of bio-power and sexuality as key to social control, cognate concepts and theories, and on findings from demography, anthropology, archaeology and other disciplines. The framework is based on the premise that four demographic regimes can be identified over the course of human history. They are defined by the primary locus and modus of control over reproduction. The framework questions some of the basic postulates in population studies, including how demographic transitions are interpreted. As such this book contributes to the debate on the longer-term trends in population dynamics and the relations of power and control in human reproduction.