Popular authors such as Sholem Aleichem and Sholem Asch gained multilingual fame in the early decades of the twentieth century with short stories and novels that represented a world foreign to many Jewish and non-Jewish readers alike. But the first Yiddish writer to serve successfully as an interpreter and representative of this world was Morris Rosenfeld. Marc Miller examines the career of Rosenfeld, a key figure in the development of Yiddish literature, which was geared to American immigrants in the late 1800s and early 1900s. Rosenfeld's early "sweatshop" poems were designed to foment discontent within capitalism among the working class. Although he began his career as a protest poet, Rosenfeld—with almost no Yiddish literary tradition to draw upon—soon moved beyond the narrow, propagandistic dimensions of his early work to produce some of the most lasting poetry in the Yiddish language. He abandoned his calls-to-arms and shifted the focus of his poetry to the immigrant self. Instead of imploring workers to revolt against the upper classes, Rosenfeld began to lament the sad life of the immigrant worker who toiled and lived under brutal conditions. This new focus resulted in his widespread popularity that reached beyond his Yiddish-speaking, immigrant audience and earned him an international reputation as the representative of his time and place.

Explores the immigrant's experiences and their pilgrimage of hope.

The incredible bestselling first novel from Pulitzer Prize- winning author, Jhumpa Lahiri. 'The kind of writer who makes you want to grab the next person and say "Read this!"' Amy Tan 'When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...' For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to nickname him 'Gogol' - after his favourite writer. Brought up as an Indian in suburban America, Gogol Ganguli soon finds himself itching to cast off his awkward name, just as he longs to leave behind the inherited values of his Bengali parents. And so he sets off on his own path through life, a path strewn with conflicting loyalties, love and loss... Spanning three decades and crossing continents, Jhumpa Lahiri's debut novel is a triumph of humane story-telling. Elegant, subtle and moving, The Namesake is for everyone who loved the clarity, sympathy and grace of Lahiri's Pulitzer Prize-winning debut story collection, Interpreter of Maladies.

Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora Lucía Serrano and a diverse group of contributors examine immigrant experience as they navigate new socio-political milieux in cartoons, comics, and graphic novels across cultures and time periods. They interrogate how immigration is portrayed in comics and how the ‘immigrant’ was an indispensable and vital trope to the development of the comics medium in the twentieth century. At the heart of the book‘s interdisciplinary nexus is a critical framework steeped in the ideas of remembrance and commemoration, what Pierre Nora calls lieux de mémoire. This book will be of interest to students and scholars in Visual Studies, Comparative Literature, English, Ethnic Studies, Francophone Studies, American Studies, Hispanic Studies, art history, and museum studies.

Cinephilic practice today - viewing, thinking, reading and writing about films - is marked by an unprecedented amount of social interaction, made possible by dramatically lower economic barriers to pub­lication through the Internet, giving rise to new hybrid forms and outlets of cinephilic writing that draw freely from scholarly, journalistic and literary models.

The immigrants profiled in The Immigrant Other shed light on a system designed to dehumanize and disenfranchise them, and they describe the difficulty of finding shelter in an increasingly globalized and unsympathetic world. They include Muslims facing discrimination from both the "War on Terror" and the "War on Immigration," Latino day laborers, Filipino immigrants supporting themselves and their families back home, and Brazilian parents terrified of being separated from their naturalized children. Immigrants living in Spain, Australia, Greece, and Qatar are also represented, showcasing the similarities and differences in the treatment of immigrants worldwide. Each chapter in this anthology pairs a description of specific state, national, and transnational immigration laws and regulations with the testimony of individuals struggling to find legitimacy and sanctuary among them.

Since the 1960s, new and more diverse waves of immigrants have changed the demographic composition and the landscapes of North American cities and their suburbs. The Housing and Economic Experiences of Immigrants in U.S. and Canadian Cities is a collection of essays examining how recent immigrants have fared in getting access to jobs and housing in urban centres across the continent. Using a variety of methodologies, contributors from both countries present original research on a range of issues connected to housing and economic experiences. They offer both a broad overview and a series of detailed case studies that highlight the experiences of particular communities. This volume demonstrates that, while the United States and Canada have much in common when it comes to urban development, there are important structural and historical differences between the immigrant experiences in these two countries.