This collection gathers a variety of scholars representing various methodological perspectives and applying diverse critical lenses to analyze the idea of borders, borderlands, frontiers, and liminal space, as they are represented in literature and philosophy. The idea of the border and frontier is perhaps more important than ever: under the siege of COVID-19, with shattered illusions of a post-racial world, when a global effort is required as a response to a crisis that does not respect national or regional borders, we need to reconsider what frontiers and borders mean to us, and how to best understand them so that they do not divide, but point to areas of common knowledge, collective experiences, and shared humanity. Drawing upon examples from different continents (Africa, the Americas, Asia, and Europe) and from diverse specific places (such as the Mexico-US border, or the contested Palestinian frontiers), and using a variety of critical perspectives (evoking Gloria Anzaldua, Jorge Luis Borges, and Edward Said, for instance), this volume explores the idea of frontiers and borders in order to comment on their representations in literature, philosophy, music, and cinema, and on the human condition in general.

This collection gathers a variety of scholars representing various methodological perspectives and applying diverse critical lenses to analyze the idea of borders, borderlands, frontiers, and liminal space, as they are represented in literature and philosophy. The idea of the border and frontier is perhaps more important than ever: under the siege of COVID-19, with shattered illusions of a post-racial world, when a global effort is required as a response to a crisis that does not respect national or regional borders, we need to reconsider what frontiers and borders mean to us, and how to best understand them so that they do not divide, but point to areas of common knowledge, collective experiences, and shared humanity. Drawing upon examples from different continents (Africa, the Americas, Asia, and Europe) and from diverse specific places (such as the Mexico-US border, or the contested Palestinian frontiers), and using a variety of critical perspectives (evoking Gloria Anzaldua, Jorge Luis Borges, and Edward Said, for instance), this volume explores the idea of frontiers and borders in order to comment on their representations in literature, philosophy, music, and cinema, and on the human condition in general.

American territorial borders have undergone significant and unparalleled changes in the last decade. They serve as a powerful and emotionally charged locus for American national identity that correlates with the historical idea of the frontier. But the concept of the frontier, so central to American identity throughout modern history, has all but disappeared in contemporary representation while the border has served to uncomfortably fill the void left in the spatial imagination of American culture. This book focuses on the shifting relationship between borders and frontiers in North America, specifically the ways in which they have been imaged and imagined since their formation in the 19th century and how tropes of visuality are central to their production and meaning. Rodney links ongoing discussions in political geography and visual culture in new ways to demonstrate how contemporary American borders exhibit security as a display strategy that is resisted and undermined through a variety of cultural practices.

Why is it that we so readily accept the boundary lines drawn around nations or around regions like ‘Asia’ as though they were natural and self-evident, when in fact they are so mutable and often so very arbitrary? What happens to people not only when the borders they seek to cross become heavily guarded, but also when new borders are drawn straight through the middle of their lives? The essays in this book address these questions by starting from small places on the borderlands of East Asia and looking outwards from the small towards the large, asking what these ‘minor pasts’ tell us about the grand narratives of history. In the process, it takes the reader on a journey from Renaissance European visions of ‘Tartary’, through nineteenth-century racial theorising, imperial cartography and indigenous experiences of modernity, to contemporary debates about Big History in an age of environmental crisis.

Outgrowth of the annual conference of the Anthropological Association of Ireland, held in May 1992 in Carlingford, County Louth, Ireland.

"The idea for editing this book originated during an international conference titled ""Regional Development: The Challenge of the Frontier,"" held in December 1993 at the Dead Sea and which was organized by the Negev Center for Regional Development at Ben-Gurion University of the Negev. In this conference we noticed that little has been said about the impact of Israel's complex mosaic of ethnic groups on the shaping of the country's social and spatial frontiers. We have therefore endeavored to bring together a number of perspectives on the evolution of ethnic frontiers in Israel and the role they play in shaping the cultural landscape of this country. Yet we later realized that ""frontier"" is too limited a term, and that it may through various processes have turned into a mosaic of spatial, social, economic, and political peripheries. More specifically we attempted to present the process of frontier development as perceived by Israel's ethnic and national minorities. We therefore invited contributions from various other Israeli experts on these issues: geographers, sociologists, anthropologists, and political scientists, which have now become the main body of chapters in this book. We trust that they are representative of the main dimensions of the subject."

Frontiers of Screen History is an edited collection that provides an insightful exploration into the depiction and imagination of European borders in cinema after the Second World War.