This collection draws together recent work by new and emerging scholars which examines the representation of alienation and resistance in texts and images, both modern and traditional. The essays collected here incorporate both “high” and “low” culture, covering a wide range of disciplines from traditional literary sources to the more modern mediums of film and comic. Informing each of the contributions is one overriding question: what are the roles, forms, and conditions of alienation and resistance in our culture and its diverse media? The contributors to this collection find examples of both alienation and resistance everywhere, from sixteenth century drama to contemporary fiction, from American comics to Eastern European cinema, from representations of the body to the site of the body itself. In seeking out these representations of alienation and resistance, the essays begin also to probe the limits and limitations of such terms. As such, the collection as a whole offers both a broad overview of the field of play as it stands today and makes tentative suggestions as to potential paths of future inquiry.

This is the first comprehensive text on social psychological approaches to communication, providing an excellent introduction to theoretical perspectives, special topics, and applied areas and practice in communication. Bringing together scholars of international reputation, this book provides a unique contribution to the field.

Representation and Resistance: South Asian and African Women's Texts at Home and in the Diaspora compares colonial and national constructions of gender identity in Western-educated African and South Asian women's texts. Jaspal Kaur Singh argues that, while some writers conceptualize women's equality in terms of educational and professional opportunity, sexual liberation, and individualism, others recognize the limitations of a paradigm of liberation that focuses only on individual freedom. Certain diasporic artists and writers assert that transformation of gender identity construction occurs, but only in transnational cultural spaces of the first world-spaces which have emerged in an era of rampant globalization and market liberalism. In particular, Singh advocates the inclusion of texts from women of different classes, religions, and castes, both in the Global North and in the South.

By focusing on three key aspects of life and change as the European state developed, Peter Blickle brings together a wealth of scholarly experience from all over the continent to discuss the subject's role in State formation. Europe has undergone a remarkable process of democratization sincethe end of the Second World War, shifting the thrust of government policy away from foreign affairs and towards internal matters, and rendering social interest and conflict the driving forces in the historical process. This widespread acceptance of democracy has led to a renewed study of the historyof the estates, and a corresponding increase in debate over the concept of representation. Here the debate is taken further with an examination of the role of the city constitution, and developments in rural settlements. Inextricably linked with the advent of wide-scale representation was an increase in resistance: this book examines the geographical spread of such uprisings, and offers explanations of why revolts were so few in Northern Europe but so prevalent in the Central states. The questions of who gainedfrom the uprisings, and what they contributed to the development of the different forms of representation and community are addressed from a pan-European angle. The cities and villages of the late Middle Ages and early modern period were instrumental in building the political structure of the time. These settlements were determinative of the spirit of community, and a close inspection of these communities throws interesting light on the differences betweenpeasant and burgher morality, and how these norms and values were integrated into the legitimizing of the state. This fascinating work examines the citizen's role in European development with a theoretical and conceptual, but also practical and pragmatic approach. The discussion crosses all national boundaries, and in a Europe which is constantly evolving is a relevant and timely addition to theseries.

This title was first published in 2000: An original explanation for the importance South Africans attachment to ethnic and racial group categories in everyday speech and practice. The answers emerge by presenting a history of dominant and resistance discourses as they relate to collective identity - a move which breaks with prevailing approaches to South African political history, problematises ethnic group categories and offers new ways of seeing old debates.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert." As students, scholars, activists, intellectuals, and any other readers who have engaged with the book since its original release in 1992 can attest, that's exactly what these pieces do.