Reporting discourse has attracted rigorous analyses in linguistics, literary theory, cognitive psychology, sociology and ethnomethodology. This book provides analyses of controversial topics in reporting discourse like tense alternation, reporting styles, patterns and functions. After critically examining existing theories, Tomoko I. Sakita offers new theoretical perspectives and empirical analyses within the scope of actual language performance. Her analysis covers tenses that previous studies have neglected or have considered "ungrammatical" or "mistaken". Based on models of cognitive recollection and stream of consciousness, tense reveals cognitive, attitudinal and consciousness state markers in complex reporting processes, as well as identity, speaker psychology, and deictic relations, embedded in discourse and narrative contexts. A synthesis of discourse analysis and experiments on reporting style, structure and functions leads to formulating a new reporting discourse continuum. Reporting discourses emerge as rule-governed, goal-directed, purposeful strategic devices in communication. Sakita shows reporting discourse to be an integral whole formed by speakers' constant interpretations and choices at different stages of information processing, with close interactions among cognitive constraints, discourse organization, contextual information, and communicative purposes. She deepens our insights into the operation of language and cognition, as well as into communication systems and social dynamics, ultimately leading to a better understanding of human behaviour. This should be a useful work not only for linguists and literary specialists but also for readers with serious interest in human reporting behaviour and narrative, or in the dynamic aspects of cognitive operation.

Reported speech is a universal form across human languages. However, previous studies have tended to be limited because they mostly emphasize on the form and authenticity of reported speech, while its discourse and pragmatic functions have largely been ignored. Meanwhile, the studies mainly focus on English, with a comparative perspective with other languages largely missing. Acknowledging these limitations, this book analyzes the textual and pragmatic functions of reported speech in Chinese and English. The authors build a corpus comprising of twelve Chinese and English newspapers, including China Daily and The New York Times. They examine the classification and distribution of reported speech, the form and function in different news genres and contexts, and the socio-pragmatic interpretation of reported speech in news and other issues. This title can enrich comparative linguistic research, verify the feasibility of combining critical linguistics and corpus technology, and help improve the production and understanding of news reports. Students and scholars of critical discourse analysis, comparative linguistics, corpus linguistics, as well as communication studies will find this to be an essential guide.

In The Representation of Speech Events in Chariton's Callirhoe and the Acts of the Apostles, Adrian T. Smith summarizes cross-linguistic research on how and why narrators vary the formulae that introduce direct speech. This research is applied to Chariton and to Acts. The findings demonstrate that narrators vary quotation formulae for numerous pragmatic purposes, including the tracking of conversational dynamics via a set of 'marked' and 'unmarked' quotation devices.

This book aims to provide a new, linguistically grounded typology of speech and thought representation in English on the basis of the systematic study of deictic, syntactic and semantic properties of authentic examples drawn from literary as well as non-literary sources. In the area beyond direct and indirect speech or thought, ‘free indirect discourse’ has often been implicitly treated as a residual category that can accommodate anything that is neither one nor the other. This book takes a fresh look at the evidence in the area of deixis, particularly through a close study of pronoun and proper name use, and proposes to distinguish the more character-oriented free indirect type from a narrator-oriented ‘distancing’ indirect type, which is grammatically wholly structured from the narrator’s deictic standpoint. Unlike free indirect representations, which coherently represent the character’s viewpoint, the distancing indirect type sees narrators appropriating character discourse for their own purposes, which may for instance be ironic. The distinctions thus drawn shed new light on the much debated ‘dual voice’ approach to free indirect discourse. Included in the scope of this book are subjectified uses of clauses such as I think, which no longer primarily construe a cognition process, but rather come to function as hedges. Such speaker-encoding uses are argued to involve an interpersonal type of structure, not based on complementation, whereas the non-subjectified cases receive an interclausal complementation analysis which does not have recourse to the problematic notion of ‘reporting verb’. This monograph is mainly of interest to researchers and graduate students interested in the syntax, semantics, and pragmatics of reported speech viewed from a constructional perspective.

What can oral poetic traditions teach us about language and the human mind? Oral Poetics has produced insights relevant not only for the study of traditional poetry, but also for our general understanding of language and cognition: formulaic style as a product of rehearsed improvisation, the thematic structuring of traditional narratives, or the poetic use of features from everyday speech, among many others. The cognitive sciences have developed frameworks that are crucial for research on oral poetics, such as construction grammar or conversation analysis. The key for connecting the two disciplines is their common focus on usage and performance. This collection of papers explores how some of the latest research on language and cognition can contribute to advances in oral studies. At the same time, it shows how research on verbal art in its natural, oral medium can lead to new insights in semantics, pragmatics, or multimodal communication. The ultimate goal is to pave the way towards a Cognitive Oral Poetics, a new interdisciplinary field for the study or oral poetry as a window to the mind.

This book deals with speech representation in Greek adolescents' storytelling and investigates how members of different communities of practice present themselves and other characters as interactional protagonists through the stories they tell. The work puts forth a dynamic approach that examines (direct) speech representation at the local and the broader socio-cultural context in which it is embedded. The concept of community of practice accounts for direct speech variation, and direct speech is seen as the linguistic manifestation of shared repertoire of particular communities of practice. The book combines qualitative with quantitative methods of study and brings together relevant theories of speech representation, narrative analysis and self-presentation.

This book departs from the premise that political discourse is intrinsically connected with media discourse, as shaped by its cultural and transcultural characteristics. It presents a collection of papers which examine political discourse in the media from a cross-culturally comparative perspective in Arab, Dutch, British, Finnish, Flemish, French, German, Israeli, Swedish, US-American and international contexts. By using different theoretical frameworks, such as conversation analysis, discourse analysis, pragmatics and systemic functional linguistics, the papers reflect current moves in political discourse analysis to cross-disciplinary and methodological boundaries by integrating semiotics, particularly multimodality, cognition, context, genre and recipient design.