This classic text of Japanese culture contains a wealth of information about traditional Japan and Japanese customs. Pawnshops and handmade paper, shoe shiners and Shinto jugglers, money rakes and mosquito netting--all these were once a familiar part of daily life in Japan. Many elements of that daily life, like the Obon dances and oreiboko apprenticeships, have no counterpart in any other culture: they are purely unique to Japan. But with the tremendous changes of the modern age, most traces of traditional life in Japan are fast disappearing, soon to be gone forever. Still, there are a few holdouts, especially in Japan's shitamachi, or working-class neighborhoods, where many of the survivors of Japanese crafts, art forms, and festivals are making their last stand. Vanishing Japan is a must-read for tourists, historians, architects, or artists who are interested in Japanese culture.

In a single short book as elegant as it is wise, Ian Buruma makes sense of the most fateful span of Japan’s history, the period that saw as dramatic a transformation as any country has ever known. In the course of little more than a hundred years from the day Commodore Matthew Perry arrived in his black ships, this insular, preindustrial realm mutated into an expansive military dictatorship that essentially supplanted the British, French, Dutch, and American empires in Asia before plunging to utter ruin, eventually emerging under American tutelage as a pseudo-Western-style democracy and economic dynamo. What explains the seismic changes that thrust this small island nation so violently onto the world stage? In part, Ian Buruma argues, the story is one of a newly united nation that felt it must play catch-up to the established Western powers, just as Germany and Italy did, a process that involved, in addition to outward colonial expansion, internal cultural consolidation and the manufacturing of a shared heritage. But Japan has always been both particularly open to the importation of good ideas and particularly prickly about keeping their influence quarantined, a bipolar disorder that would have dramatic consequences and that continues to this day. If one book is to be read in order to understand why the Japanese seem so impossibly strange to many Americans, Inventing Japan is surely it.

Japan ist weltweit der Inbegriff fÃ1/4r traditionelles Bauen mit Holz und vielfältigste Verwendungen dieses Werkstoffes in allen Lebensbereichen. Auf der Grundlage einer langen handwerklichen Tradition entstehen Produkte von unerreichter technischer Raffinesse, materialgerechter Verarbeitung und minimalistischer Gestaltung. Das Buch stellt die Produkte, Techniken, handwerklichen HintergrÃ1/4nde und Herstellungsschritte von rund dreißig Typen vor: von BrÃ1/4cken Ã1/4ber Wohnhäuser, SchiebetÃ1/4ren und Möbel bis hin zu Behältnissen, Werkzeugen und Musikinstrumenten. Im Mittelpunkt der Beschreibung steht die Genese der Gegenstände. Die einzelnen Arbeitsschritte von der Materialauswahl bis zum Oberflächenfinish wurden von dem renommierten Fotografen Roland Bauer vor Ort in faszinierenden Bildsequenzen festgehalten. Zusammen mit den Detailzeichnungen werden so Aufbau und Herstellung der Holzobjekte begreifbar und nachvollziehbar gemacht.

This book pursues the specific case of Italian travel narratives in the Far East, through a focus on the experience of Japan in works by writers who visited the Land of the Rising Sun beginning in the Meiji period (1868-1912) and during the concomitant opening of Japan's relations with the West. Drawing from the fields of Postcolonial and Transnational Studies, analysis of these texts explores one central question: what does it mean to imagine Japanese culture as contributing to Italian culture? Each author shares in common an attempt to disrupt ideas about dichotomies and unbalanced power relationships between East and West. Proposing the notion of 'relational Orientalism, ' this book suggests that Italian travelogues to Japan, in many cases, pursued the goal of building imaginary transnational communities, predicated on commonalities and integration, by claiming what they perceived as 'Oriental' as their own. In contrast with a long history of Western representations of Japan as inferior and irrational, Searching for Japan identifies a positive overarching attitude toward the Far East country in modern Italian culture. Expanding the horizon of Italian transnational networks, normally situated within the Southern European region, this book reinstates the existence of an alternative Euro-Asian axis, operating across Italian history.

Japan’s heritage conservation policy and practice, as deployed through its foreign aid programs, has become one of the main means through which post-World War II Japan has sought to mark its presence in the international arena, both globally and regionally. Heritage conservation has been intimately linked to Japan’s sense of national identity, in addition to its self-portrayal as a responsible global and regional citizen. This book explores the concepts of heritage, nationalism and Japanese national identity in the context of Japanese and international history since the second half of the nineteenth century. In doing so, it shows how Japan has built on its distinctive approach to conservation to develop a heritage-based strategy, which has been used as part of its cultural diplomacy designed to increase its ‘soft power’ both globally and within the Asian region. More broadly, Natsuko Akagawa underlines the theoretical nexus between the politics of heritage conservation, cultural diplomacy and national interest, and in turn highlights how issues of heritage conservation practice and policy are crucial to a comprehensive understanding of geo-politics. Heritage Conservation and Japan’s Cultural Diplomacy will be of great interest to students, scholars and professionals working in the fields of heritage and museum studies, heritage conservation, international relations and Asian/Japanese studies.