This book uses the stories of early modern women in the Mediterranean who left their birthplaces, families, and religions to reveal the complex space women of the period occupied socially and politically. In the narrow sense, the word “renegade” as used in the early modern Mediterranean referred to a Christian who had abandoned his or her religion to become a Muslim. With Renegade Women, Eric R Dursteler deftly redefines and broadens the term to include anyone who crossed the era’s and region’s religious, political, social, and gender boundaries. Drawing on archival research, he relates three tales of women whose lives afford great insight into both the specific experiences and condition of females in, and the broader cultural and societal practices and mores of, the early Mediterranean. Through Beatrice Michiel of Venice, who fled an overbearing husband to join her renegade brother in Constantinople and took the name Fatima Hatun, Dursteler discusses how women could convert and relocate in order to raise their personal and familial status. In the parallel tales of the Christian Elena Civalelli and the Muslim Mihale Šatorovic, who both entered a Venetian convent to avoid unwanted, arranged marriages, he finds courageous young women who used the frontier between Ottoman and Venetian states to exercise a surprising degree of agency over their lives. And in the actions of four Muslim women of the Greek island of Milos—Aissè, her sisters Eminè and Catigè, and their mother, Maria—who together left their home for Corfu and converted from Islam to Christianity to escape Aissè’s emotionally and financially neglectful husband, Dursteler unveils how a woman’s attempt to control her own life ignited an international firestorm that threatened Venetian-Ottoman relations. A truly fascinating narrative of female instrumentality, Renegade Women illuminates the nexus of identity and conversion in the early modern Mediterranean through global and local lenses. Scholars of the period will find this to be a richly informative and thoroughly engrossing read.

A charmingly illustrated and timely tribute to the women who broke glass ceilings in film and television, debuting during an historic time of change in the entertainment industry. Renegade Women in Film and TV blends stunning illustrations, fascinating biographical profiles, and exclusive interviews with icons like Barbra Streisand, Rita Moreno, and Sigourney Weaver to celebrate the accomplishments of 50 extraordinary women throughout the history of entertainment. Each profile highlights the groundbreaking accomplishments and essential work of pioneers from the big and small screens, offering little-known facts about household names (Lucille Ball, Oprah Winfrey, Nora Ephron) and crucial introductions to overlooked pioneers (Alla Nazimova, Anna May Wong, Frances Marion). From 19th century iconoclast Alice Guy Blaché to 21st century trailblazer Ava DuVernay, Renegade Women honors the women who succeeded against all odds, changing their industry in front of the camera and behind the scenes.

The history of the Irish republican movement is dominated by the story of the men who took up arms in Ireland's fight for freedom against the British. The names of men like Pearse, Connolly, Collins and Barry still resonate today as heroes who won independence for Ireland. However, the critical role of women in this fight for freedom has often been overlooked. Renegades examines the part played by women in the major political and social revolutions that took place from 1900– 1922. It explores the growing separation of republican women into two distinct groups, those active on the military side in Cumann na mBan and those involved on the political side, particularly with Sinn Féin. It also looks at the often ignored 'war on women', which manifested itself in the form of physical and sexual assaults by both sides during the War of Independence, and the fury of female republicans as the political establishment accepted the Anglo-Irish Treaty. In this evocative account, Renegades restores the women of the republican movement to the prominent place they deserve in Irish history.

CALLING ALL WOMEN! She: A Celebration of Renegade Women by Stylist's Harriet Hall is the must-have book for women everywhere. Perfect for fans of Caitlin Moran, Lena Dunham and Good Night Stories For Rebel Girls. 'SHE is essential for your bookshelf' Stylist SHE is a love letter to all the women who have thrown out the rulebook and threatened the status quo. It's a toast to the brave, bold and brilliant women who make us proud to be ladies. From fashion icon Coco Chanel to Queen Cleopatra, from literary legend Jane Austen to trailblazer Michelle Obama and from kick-ass activist Malala Yousafzai to the one-and-only Beyoncé, SHE honours 100 truly renegade women, from history through to present day. Gorgeously curated and expertly written by Stylist journalist Harriet Hall, and filled with stunning black and white illustrations by Alice Skinner, SHE is a thing of beauty to be worshipped, just like the women that make up its contents. This statement, timely book is the perfect gift for the renegade women in your life who inspire and amaze you or, for YOU, to simply make you proud of being a woman.

"A refreshingly raw, contrasting perspective on the foolproof idea of motherhood." -- POPSUGAR "By turns painful and funny... A searingly candid memoir." -- Kirkus "Far from your cookie-cutter story of addiction . . . [I'm Just Happy to Be Here] describes Hanchett's journey to recovery and sobriety in imperfect and unconventional ways." -- Bustle In this unflinching and wickedly funny memoir, Janelle Hanchett tells the story of finding her way home. And then, actually staying there. Drawing us into the wild, heartbreaking mind of the addict, Hanchett carries us from motherhood at 21 with a man she'd known three months to cubicles and whiskey-laden domesticity, from judging meth addicts in rehab to therapists who "seem to pull diagnoses out of large, expensive hats." With warmth, wit, and searing B.S. detectors turned mostly toward herself, Hanchett invites us to laugh when we probably shouldn't and to rejoice at the unconventional redemption she finds in desperation and in a misfit mentor who forces her to see the truth of herself. A story of ego and forced humility, of fierce honesty and jagged love, of the kind of failure that forces us to re-create our lives, Hanchett writes with rare candor, scorching the "sanctity of motherhood," and leaving beauty in the ashes.

Traces the history of the tradition of women wearing pants, providing accounts and photographs from the 1850s to the 1920s.

Explores the history and nature of women in British dramatic comedy