‘Above all, poetry – for both its readers and its writers – is a form that demands attentiveness and active intelligence. It treats language as a volatile and charged commodity, and one whose subtleties and nuances are worth puzzling over.’ —Sarah Holland-Batt Award-winning poet, critic, editor and academic Sarah Holland-Batt takes the helm as editor of this year’s Best Australian Poems. Demonstrating the diversity, inventive brilliance and dynamism of our country’s finest poets, this collection features work from both rising stars and well-known figures, and presents a dazzling array of themes and styles. Whether addressing biotechnology or domestic violence, migrant experience or the natural world, the poems in this anthology are sure to inspire, provoke and move. Poets include Martin Harrison, Judith Beveridge, Clive James, Keven Brophy, Joanne Burns, Les Murray, Pam Brown, Eileen Chong, Luke Davies, Laurie Duggan, Geoff Page, Ali Cobby Eckermann, Toby Fitch, Robert Gray, Lisa Gorton, Natalie Harkin, John Kinsella, Felicity Plunkett, Chris Wallace-Crabbe, Billy Marshall Stoneking, Cate Kennedy, David Malouf, Julie Chevalier, Lionel G. Fogarty and many more…

Award-winning poet, critic, editor and academic Sarah Holland-Batt takes the helm again as editor of this year’s Best Australian Poems. Previous contributors include Judith Beveridge, Stephen Edgar, Fiona Wright, Clive James, Lisa Gorton, Robert Adamson, Dorothy Porter, John Kinsella, David Malouf, Cate Kennedy and Les Murray. Sarah Holland-Batt is the author of The Hazards (UQP, 2015), which won the poetry prize at the 2016 Prime Minister's Literary Awards, and Aria (UQP, 2008), which won the Thomas Shapcott Poetry Prize, the Arts ACT Judith Wright Award, and the FAW Anne Elder Award and was shortlisted in both the New South Wales and Queensland Premiers’ Literary Awards. She is presently a Senior Lecturer in Creative Writing at the Queensland University of Technology and the poetry editor of Island.

This new collection extends themes taken up in The Wind-up Birdman of Moorabool Street (2012). Environmental degradation and theme park notions of the natural endure. Accordingly, these poems reflect with tenderness, anger and irony on the ways humans chronicle, construct and war upon their natural environments. 'Rendition' puns on the idea of a song lyric, translation, surrender and also torture. In the anti-pastoral, anti-war poems offered here, groups of human beings and individuals are also shown as either tragically marginalized, lost of held too close. Cautionary ecocritical threnodies splice with personal elegies and historical cultural reflections to suggest a world awash with maladies of different kinds, as if to say that human beings must recalibrate love, death, survival and history as matters of urgency.

Eugene von Guerard, colonial painter, failed goldminer, procrastinator. His birth coincides with Napoleon's demise and the invention of the waltz. He has two left feet, just like his father, as well as his father's gift for forensic detail with a paintbrush. He embarks on a low-budget grand tour as Vienna waltzes away the terrors of collaboration. Seeking fame and fortune, he boards a creaky immigrant ark for the Antipodean goldfields. Can Louisa, with her fear of water and poor English, partner Eugene across worlds? What of the forcibly indentured girl, Laven-Dah, who ruins his painting sightlines with her attention-seeking acrobatics? And what is the mystery of Queen Parrot Falls, a place where love and loss dismantle the painter's dream of a perfect waterfall? Eugene's Falls melds novel with art history and non- fiction in the manner of Peter Robb's M or Susan Sontag's Volcano Lover. This compelling portrait of the artist as a young man dissects the melancholy at the heart of colonial progress, imbuing the waltz of memory with the power and inevitability of falling water.

A celebration of this anniversary milestone, featuring both new content and some of the most historic and iconic moments in NPR's first forty years on the air.

The expanded, updated edition of a classic reference source--the comprehensive survey of the status of thje world's largest religion in 238 countries. Many tables, charts, diagrams, maps, photographs, and a rich text present a unmatched look at 33,800 Christian denominations, 12,000 dioceses, 5,000 missions, and other groups--all -set against a detailed historical, political, social, cultural, demographic, background.

A major resource, collecting essays, articles, manifestos, and works of art by Russian artists and critics in the early twentieth century, available again at the 100th anniversary of the Russian Revolution