This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own. Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele. The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.

This book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.

While the 'ukulele is enjoying a well-deserved renaissance on the mainland, in the land of its birth, it has never gone out of style. Hawaiians took to the jumping flea right from the start, creating music of stunning beauty and versatility. Now intermediate players can learn to play lovely finger style solo arrangements of classic Hawaiian songs, folk songs, standards–even a few pieces from the classical guitar repertoire.The book offers 27 arrangements from around the world written in standard notation and tablature playable on any 'ukulele. Songs are grouped according to level of difficulty, starting with simple arrangements well within the grasp of dedicated beginners and intermediate players and leading through more challenging songs featuring unusual chord voicings, inversions up the neck, tricky fingerings and all the fun stuff the author could muster. to aid the student, the companion CD includes all of the songs taught. Includes chord charts, inversion studies, introductory material on finger-picking and making the transition from strumming to melodic playing.

Gaspar Sanz (1640 –1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. the smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces.

James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.

This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author's recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own.Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar's musical descendant, the ukulele.The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone--as well as the top four strings of the guitar-- can be used to play them.Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It's also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.

English below! Fingerstyle Etüden ist eine Sammlung von 30 Instrumentalstücken in verschiedenen Schwierigkeitsstufen für Ukulele solo. Jede Etüde beschäftigt sich mit einem bestimmten Zupfmuster, das die Grundlage für stimmungsvolle Musik liefert. Ausführlicher Anleitungsteil und Anmerkungen zu jeder Etüde Jede Etüde gibt es als Noten & Tabulatur, nur Tabulatur und nur Noten (mit Fingersätzen). Außerdem findest du jeweils Griffbilder zum Stück. Wichtige Techniken werden kurz zu Beginn des Buches erklärt und jede Etüde wird mit Anmerkungen und Übetipps ergänzt. Audiodateien und Videos Je ein Video und eine Audiodatei pro Etüde geben dir einen Eindruck vom Klang und Schwierigkeitsgrad des Stücks. 30 Etudes for Ukulele solo Pop & Rock Ukulele Fingerstyle Etudes is a collection of 30 instrumental pieces for ukulele solo providing material for the advanced beginner, as well as the advanced player. Each etude is based on a specific picking pattern to provide atmospheric music. Extensive Instructions and Practice and Performance Notes for every Etude Each etude comes to you in a music & tab version, as well as a tab-only and a music-only version (with fingerings). Additionally, you'll find helpful chord diagrams for every piece. Fundamental techniques are explained at the beginning of the book and each etude is complemented with practice and performance notes. Audio and Video One video and audio file for each etude will give you an idea of what sound and interpretation to aim for.