A brilliant account of the coming of the French Revolution, and the culminating work of this most distinguished historian. When a Parisian crowd stormed the Bastille in July 1789, it triggered the overthrow of the monarchy and the birth of a new society. In retrospect we understand the French Revolution as the outcome of such factors as a faltering economy and Enlightenment thought. But what did the Parisians themselves think they were doing—how did they understand their world? In this dazzling history, Robert Darnton draws on decades of study to conjure a past as vivid as today’s news. He explores eighteenth-century Paris as an information society like our own, its news circuits centered in cafés, on park benches, and under the Palais-Royal’s Tree of Cracow. Through pamphlets, gossip, and public performances, the events of some forty years—from disastrous treaties and royal debauchery to thrilling hot-air balloon ascents—entered the churning collective consciousness of ordinary Parisians. With public trust eroding as new aspirations soared, Parisians prepared themselves for revolution.

In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.