These essays are gleaned from articles published in Wichita Falls Medicine, the Wichita Falls Times Record News, Private Practice, and one from the unlikely pages of the Archives of Internal Medicine. I threw out some I thought were awful. Other than that exercise in self-protection, they flew from the computer in no particular order. I chose them if they made me smile.

The American Indian author of Black Eagle Child paints “a portrait of a writer struggling both to preserve his people’s heritage and to turn it into art” (The New York Times Book Review). Ray A. Young Bear’s work has been called “magnificent” by the New York Times and “a national treasure” by the Bloomsbury Review. Dazzlingly original, but with deep roots in his traditional Mesquakie culture, Young Bear is a master wordsmith poised with trickster-like aplomb between the ancient world of his forefathers and the ever-encroaching “blurred face of modernity.” Remnants of the First Earth continues the story of Edgar Bearchild—Young Bear’s fictionalized alter ego—which began with Black Eagle Child, a New York Times Notable Book for 1992. Young Bear revisits the Black Eagle Child Settlement and its residents, including Ted Facepaint, Rose Grassleggings, Junior Pipestar, Lorna Bearcap, and Luciano Bearchild. At the center of the novel is a murder investigation involving a powerful shaman holding court at the local Ramada Inn, negligent white cops from nearby Why Cheer, and corrupt tribal authorities. This lyrical narrative swirls through the present and into the mysteries of the age-old stories and myths that still haunt, inform, and enlighten this uniquely American community. “Young Bear’s prose pulses with lyrical ferocity, blending narrative, verse and tribal myth in a seamless web . . . Young Bear, an acclaimed poet, here emerges as a major Native novelist.” —Publishers Weekly

Lord Remnant's eccentric parties on his privately owned Caribbean island of Grenadin are the stuff of legend... but then the 12th Earl suddenly dies in the course of an amateur production of The Murder of Gonzago, the play within a play in Hamlet. The Times obituary gives the cause of death as 'heart attack' but an anonymous video tape come to light showing Lord Remnant's final moments, making it very clear his demise was far from natural. As happens so often, Antonia and Hugh Payne get involved in the sinister events surrounding Lord Remnant's death. Was ithis drug-addicted stepson Stephan? Was it Aunt Hortense, whose past contains a dark and shocking secret? Was it Clarissa, his beautiful and very much younger wife? Or was it the elusive Mr Quin, who is left a vast amount of money in Lord Remnant's will for no apparent reason...

Traces of War examines how the trauma of the Second World War influenced the work of the brilliant generation of writers and intellectuals who lived through it.

The members of South Carolina's Sweet Briar Ladies Society sewing circle are as loyal and close-knit as the day is long. But when the richest and meanest woman in town turns up murdered, the new Yankee librarian Tori Sinclair finds that some threads can bind dangerously tight.

NATIONAL BESTSELLER • From the author of Into the Wild and Into Thin Air, this extraordinary work of investigative journalism takes readers inside America’s isolated Mormon Fundamentalist communities. • Now an acclaimed FX limited series streaming on HULU. “Fantastic.... Right up there with In Cold Blood and The Executioner’s Song.” —San Francisco Chronicle Defying both civil authorities and the Mormon establishment in Salt Lake City, the renegade leaders of these Taliban-like theocracies are zealots who answer only to God; some 40,000 people still practice polygamy in these communities. At the core of Krakauer’s book are brothers Ron and Dan Lafferty, who insist they received a commandment from God to kill a blameless woman and her baby girl. Beginning with a meticulously researched account of this appalling double murder, Krakauer constructs a multi-layered, bone-chilling narrative of messianic delusion, polygamy, savage violence, and unyielding faith. Along the way he uncovers a shadowy offshoot of America’s fastest growing religion, and raises provocative questions about the nature of religious belief.

Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s. Mexico has long been lauded and studied for its post-revolutionary public art, but recent artistic practices have raised questions about how public art is created and for whom it is intended. In The New Public Art, Mara Polgovsky Ezcurra, together with a number of scholars, artists, and activists, looks at the rise of community-focused art projects, from collective cinema to off-stage dance and theatre, and the creation of anti-monuments that have redefined what public art is and how people have engaged with it across the country since the 1980s. The New Public Art investigates the reemergence of collective practices in response to privatization, individualism, and alienating violence. Focusing on the intersection of art, politics, and notions of public participation and belonging, contributors argue that a new, non-state-led understanding of "the public" came into being in Mexico between the mid-1980s and the late 2010s. During this period, community-based public art bore witness to the human costs of abuses of state and economic power while proposing alternative forms of artistic creation, activism, and cultural organization.