Includes the Charter (from Bishop Seghers to Father Brabant) for the establishment of the first mission at Hesquiat, and gives an account of the residential schools 1875-1925.

In this innovative history, Paige Raibmon examines the political ramifications of ideas about “real Indians.” Focusing on the Northwest Coast in the late nineteenth century and early twentieth, she describes how government officials, missionaries, anthropologists, reformers, settlers, and tourists developed definitions of Indian authenticity based on such binaries as Indian versus White, traditional versus modern, and uncivilized versus civilized. They recognized as authentic only those expressions of “Indianness” that conformed to their limited definitions and reflected their sense of colonial legitimacy and racial superiority. Raibmon shows that Whites and Aboriginals were collaborators—albeit unequal ones—in the politics of authenticity. Non-Aboriginal people employed definitions of Indian culture that limited Aboriginal claims to resources, land, and sovereignty, while Aboriginals utilized those same definitions to access the social, political, and economic means necessary for their survival under colonialism. Drawing on research in newspapers, magazines, agency and missionary records, memoirs, and diaries, Raibmon combines cultural and labor history. She looks at three historical episodes: the participation of a group of Kwakwaka’wakw from Vancouver in the 1893 World’s Columbian Exposition in Chicago; the work of migrant Aboriginal laborers in the hop fields of Puget Sound; and the legal efforts of Tlingit artist Rudolph Walton to have his mixed-race step-children admitted to the white public school in Sitka, Alaska. Together these episodes reveal the consequences of outsiders’ attempts to define authentic Aboriginal culture. Raibmon argues that Aboriginal culture is much more than the reproduction of rituals; it also lies in the means by which Aboriginal people generate new and meaningful ways of identifying their place in a changing modern environment.

Built in 1913, the Canadian Pacific Railway's ship Princess Maquinna steamed up and down the rugged west coast of Vancouver Island in summer and winter, calm weather and storms, for over forty years, and has become one of the most beloved boats in BC’s maritime history. Princess Maquinna, sometimes referred to as the “Ugly Princess” but most often “Old Faithful,” transported Indigenous people, settlers, missionaries, loggers, cannery workers, prospectors and travellers of all kinds up and down Vancouver Island’s rugged and dangerous west coast, stopping at up to forty ports of call on her seven-day run. The Princess Maquinna faithfully served as the lifeline for all those who lived on the west coast of Vancouver Island before it became accessible by roads. Because of this strong connection she became the “Best Loved Boat” in BC’s maritime history. Kennedy recounts battles through eighty-knot gales along the exposed coastline sailors called “The Graveyard of the Pacific,” and reveals the bigotry that forced Indigenous and Chinese passengers to remain on the foredeck of the ship while other passengers sheltered from the elements inside. He brings the history of this beloved ship to life with rich detail, recalling a time when this remote part of British Columbia was alive with mines, canneries and now-forgotten settlements.

A concise, full-colour visitor’s guide to dozens of historical churches scattered throughout Vancouver Island, from humble country chapels to soaring urban cathedrals. For many European settlers who arrived on Vancouver Island in the late nineteenth century, building a church was as important as establishing a homestead or erecting a school. The church was the heart of the community. Today, although demographics have shifted and church attendance has waned, many of those early structures are still standing. Pioneer Churches of Vancouver Island and the Salish Sea features more than forty surviving churches whose construction dates back to the 1800s. It explores the architecture; the local history of the area; and the stories of the builders, worshippers, clergy members, those who are buried in the adjoining graveyards. Divided into geographical sections—Victoria, Esquimalt and the Saanich Peninsula, the Cowichan Valley, Salt Spring Island, Central Vancouver Island, and the North Island—this book is a beautifully photographed, easy-to-follow guide for anyone interested in exploring these architectural treasures and learning more about the history surrounding them.