CONTENTS.--I. Flower, G. History of the English settlement in Edwards County, Illinois. 1882.--II. Reid, H. Biographical sketch of Enoch Long. 1884.--III. Edwards, N. The Edwards papers. 1884.--IV. Mason, E. G., ed. Early Chicago and Illinois. 1890.--V. Boggess, A. C. The settlement of Illinois, 1778-1830. 1908.--VI-IX. Polk, J. K. The diary of James K. Polk ... 1845 to 1849 ... ed. ... by M. M. Quaife. 1910.--X. Putnam, J. W. The Illinois and Michigan canal. 1918.--[XI] Ingraham, C. A. Elmer E. Ellsworth and the zouaves of '61. [1925]--XII. Knight, R. and Zeuch, L. H. The location of the Chicago portage route of the seventeenth century. 1928.

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Enter the leather-hinged door of the dirt-floored, one-room log cabin that John Wood built in October 1822 near the Mississippi River on Illinois’ westernmost shore. Two months later, Wood, a New Yorker in the vanguard of pioneers into the West, threw the first Christmas party there. A local historian wrote that Wood provided the whiskey, and the guests stayed all night. It was a standard of hospitality that John Wood set for all who followed. And his community responded. Here they provided refuge to 5,700 Mormons facing death, organized Illinois’ first antislavery society, comforted Potawatomi Indians forced over a “Trail of Death” into the West. Here Adams County’s pioneer men and women brought ideals and dreams. They built a powerful, river-based economy, became inventors and industrialists, doctors and lawyers, artists and soldiers, saints and sinners, living an enduring spirit made clear in these stories of 19th century Adams County, Illinois.

In the mid-1840s, Warner McCary, an ex-slave from Mississippi, claimed a new identity for himself, traveling around the nation as Choctaw performer "Okah Tubbee." He soon married Lucy Stanton, a divorced white Mormon woman from New York, who likewise claimed to be an Indian and used the name "Laah Ceil." Together, they embarked on an astounding, sometimes scandalous journey across the United States and Canada, performing as American Indians for sectarian worshippers, theater audiences, and patent medicine seekers. Along the way, they used widespread notions of "Indianness" to disguise their backgrounds, justify their marriage, and make a living. In doing so, they reflected and shaped popular ideas about what it meant to be an American Indian in the mid-nineteenth century. Weaving together histories of slavery, Mormonism, popular culture, and American medicine, Angela Pulley Hudson offers a fascinating tale of ingenuity, imposture, and identity. While illuminating the complex relationship between race, religion, and gender in nineteenth-century North America, Hudson reveals how the idea of the "Indian" influenced many of the era's social movements. Through the remarkable lives of Tubbee and Ceil, Hudson uncovers both the complex and fluid nature of antebellum identities and the place of "Indianness" at the very heart of American culture.