The Woodstock festival of 1969, which featured such groups and artists as the Who, Country Joe and the Fish, Ten Years After, Janis Joplin and Jimi Hendrix, is remembered as much for its 'bringing together' of the counter-cultural generation as for the music performed. The event represented a milestone in the use of music as a medium for political expression while simultaneously acting as a springboard for the more expressly commercial of rock and pop events which were to follow. In the thirty years since the festival took place, Woodstock has become the subject of many books, magazine articles and documentaries which have served to mythologise the event in the public imagination. These different aspects of the Woodstock festival will be discussed in this wide ranging book which brings together a number of established and new writers in the fields of sociology, media studies and popular music studies. Each of the five chapters which will focus on a specific aspect of the Woodstock festival and its continuing significance in relation to the music industry, the rock festival 'tradition', sixties nostalgia and the cultural impact of popular music.

From the early pioneering days to the establishment of one of the premier art colonies in the nation, these are the stories of one of Americas most famous small towns. Beneath the gentle slopes of Overlook Mountain lies the town of Woodstock, a thriving community of painters, musicians and craftsmen. The towns early history of wintry hardships, courageous settlers and rebellious farmers sets the stage for a saga of spirited and creative personalities. As this energetic individualism carried over into the twentieth century, the sounds of cow horns and tin pails gave way to the bacchanalian revelry of Maverick music festivals and the wailing guitar of Bob Dylan. The first hippie came to town in 1963, and within a few years this Colony of the Arts was swept up by the counterculture movement of the 60s. In this collection of essays from the Historical Society of Woodstock archives, Richard Heppner captures the unique spirit of Woodstock, where the individual is always welcome and new and creative beginnings are always possible.

Three days that changed a generation Woodstock - Peace, Music & Memories tells a story of what Time magazine called "the greatest peaceful event in history." Celebrate the 40th anniversary of this generation-defining moment through the words and pictures of some of the 500,000 people who were at Max Yasgur's farm in 1969. Capturing the spirit of the times with its earthly look and mix of 350 color and black and white photos, Woodstock - Peace, Music & Memories features: • Foreword by festival co-creator and promoter Artie Kornfeld • Commentary by longtime peace activist and Woodstock insider Wavy Gravy • Personal recollections and never-before-seen pictures by the people who were there • Special section on Woodstock memorabilia with current values

This book critically discusses the significance of popular music heritage as a means of remembering and re-presenting rock and pop artists, their music and their place in the culture of contemporary society. Since the mid-1990s, the contribution of popular music to the shaping of contemporary history and heritage has increasingly been acknowledged. In the same period, exhibitions of popular music related artefacts have become more commonplace in museums, and facilities dedicated to the celebration of popular music history and heritage, such as the Rock and Roll Hall of Fame, have opened their doors. Popular music heritage has found other mediums of expression too. There is now a significant popular music heritage media, including books, magazines, films and television series. Fans collect and display their own mementos, while the live performances of tribute bands and classic albums fulfill an increasing desire for the live spectacle of popular music heritage. This book will be crucial reading for established scholars as well as postgraduate and undergraduate students studying popular music heritage.

Blockheads, Beagles, and Sweet Babboos: New Perspectives on Charles M. Schulz's "Peanuts" sheds new light on the past importance, ongoing significance, and future relevance of a comics series that millions adore: Charles M. Schulz’s Peanuts. More specifically, it examines a fundamental feature of the series: its core cast of characters. In chapters devoted to Charlie Brown, Snoopy, Lucy, Franklin, Pigpen, Woodstock, and Linus, author Michelle Ann Abate explores the figures who made Schulz’s strip so successful, so influential, and—above all—so beloved. In so doing, the book gives these iconic figures the in-depth critical attention that they deserve and for which they are long overdue. Abate considers the exceedingly familiar characters from Peanuts in markedly unfamiliar ways. Drawing on a wide array of interpretive lenses, Blockheads, Beagles, and Sweet Babboos invites readers to revisit, reexamine, and rethink characters that have been household names for generations. Through this process, the chapters demonstrate not only how Schulz’s work remains a subject of acute critical interest more than twenty years after the final strip appeared, but also how it embodies a rich and fertile site of social, cultural, and political meaning.