These rare & poignant drawings & letters from one of the thousands of French Jewish children murdered at the hands of the Nazis & their collaborators are collected by author Serge Klarsfeld, a renown Nazi-hunter, who through his work has put a human face to a statistic.

At five years old, Julianne doesnt want to move to George Town East, especially when she knows shell be separated from her best friend. Still, when Juliannes dad tells her that the headless people that live in her closet and chase her down the hall wont follow her to their new house, she starts to look forward to the move. George Town East is where Julianne will spend her childhood and adolescence in the 1970s and 1980s; in this memoir, she recalls a simpler time growing up there. Hot summer days, watching television with the family, riding bicycles, and going to the movies were all mainstays of daily life. This was a time before computers, before cell phones and when children growing up didnt have a care in the worldexcept school, summer vacations and then becoming a teenager and falling in love for the first time. Join Julianne as she recalls awkward teenage moments, life in a small town, and a time that no longer exists in Remembering George Town East.

From the editors who have previously brought forth bestselling illustrated biographies on the Beatles as a group and John Lennon in particular, now comes Remembering George Harrison: 10 Years Later. He was the quiet Beatle only in that he was standing alongside two louder-than-life characters and in front of a guy playing drums. He held many strong opinions — on Beatlemania, on global want, on his right to privacy, on his God — and gave firm voice to most of them. But George Harrison was certainly the most reluctant Beatle, wanting out almost as soon as he was in. He often said that his luckiest break was joining the band and his second luckiest was leaving it. The standard line is that George Harrison was an enigma, but perhaps he was transparent: a terrific guitarist, a fine songwriter, a wonderer, a seeker and, overriding all, a celebrity who hated and feared celebrity. George Harrison died at a friend's home in Los Angeles ten years ago, in late 2001, at age 58, losing his last battle with cancer. He was beloved, and had been for a long time. He had thrived in the aftermath of the band's breakup, becoming a recording artist on the level of his former mates McCartney and Lennon. He became as well the Happy Mystic, leading his legion of fans — of followers — toward a more meaningful way of living. As would be expected from LIFE, it is all here in pictures — the Hamburg days, the Cavern Club, the craze that was Beatlemania, the fun movies, the psychedelic period, the solo years (replete with Harrison's reaction to Lennon's death, and the subsequent attack on him and his wife at his English estate). The photographers who knew George and the Beatles best — Astrid Kirchherr in Hamburg; Terence Spencer in the UK; Harry Benson in London, Paris and the U.S.; Bob Whitaker as the band's official photographer during the halcyon years; LIFE's John Loengard and Bill Eppridge throughout it all-are all here, as they were in our book on Lennon. This is an intimate look back, with many visual surprises. The narrative is largely written by (and the book is edited by) LIFE managing editor Robert Sullivan, who wrote TIME magazine's cover story on George's passing 10 years ago. One of the many marvels of the Beatles was that, although they all emerged from working-class Liverpool backgrounds, they were such distinct and fiercely individualistic personalities. None more so than George Harrison, who started well in the shadows and came to stand for something very large, and beautiful. This is his book.

George F. Kennan, the father of containment, was a rather obscure and frustrated foreign service officer at the U.S. embassy in Moscow when his "Long Telegram" of February 1946 gained the attention of policymakers in Washington and transformed his career. What is Kennan's legacy and the implications of his thinking for the contemporary era? Is it possible to reconcile Kennan's legacy with the newfound emphasis on a "democratic peace?"

A collection of poems by the renowned Beat poet, Gregory Corso.

To borrow imagery from C. S. Lewis's The Lion, the Witch and the Wardrobe, Timothy George's perspective as a historical theologian is the wardrobe that we can walk through to get to Narnia, an exciting new place where we discover the wonderful works of Augustine, Aquinas, Calvin, Luther, Wesley, and many others. George is one of the most respected church historians, theologians, and Christian educators of our time. But how did this Baptist preacher from Tennessee become a premier church historian and follow in the footsteps of great historians like the Harvard scholar George Huntston Williams (who was a Unitarian), the Duke scholar David Steinmetz (who was a Methodist), and the Yale scholar Jaroslav Pelikan (who was a Lutheran and later Eastern Orthodox)? This book will uncover how each of these influences contributed to George's eye-opening, heart-warming, and kingdom-advancing approach to the study of church history.

In this interdisciplinary study, Mónika Fodor explores how intergenerational memory narratives embedded in the speaker’s own stories impact ethnic subjectivity construction. Working with thematically selected life experiences from interviews conducted with second- and late-generation European Americans, Fodor demonstrates how the storytellers position themselves in a range of social, cultural, and political discourses to claim or disclaim ethnicity as part of their subjectivity. Tying narrative content, structural, and performance analysis to the sociological and sociolinguistic concepts of "symbolic capital" and "investment," Fodor unpacks the changing levels of identifying with one’s ancestral ethnic heritage and its potential to carry meaning for late-generation descendants. In doing so, she reveals the shared features of identification among individuals through narrative meaning-making, which may be the basis of real or imagined, heterolocal discourse community formation and sustained ethnic subjectivity. The narrative analysis demonstrates how the cohesive force among members of the community is the shared knowledge of story frames and the personalized retelling of these. Ethnic Subjectivity in Intergenerational Memory Narratives draws on inherited, often moving, personal experiences that offers new insights into the so far largely unexplored terrain of the narrative structure of intergenerationally transferred memory retellings, that will be of great interest to students and scholars of ethnic studies, migration and identity studies.