Theodore Hamerow, a prominent historian, was born in Warsaw in 1920 and spent his childhood in Poland and Germany. His parents were members of the best-known Yiddish theater ensemble, the Vilna Company. They were part of an important movement in the Jewish community of Eastern Europe which sought, during the half century before World War II, to create a secular Jewish culture, the vehicle of which would be the Yiddish language. Combining the skills of an experienced historian with the talents of a natural writer, the author not only brings this exciting part of Jewish culture to life but also deals with ethnic relations and ethnic tensions in the region and addresses the broad political and cultural issues of a society on the verge of destruction. Thus a vivid image emerges that captures the feel and atmosphere of a world that has vanished forever.

Memoirs of a Jew born in 1920 in Warsaw; in 1930 he and his parents emigrated to the USA. Ch. 5 (pp. 115-143), "On the Edge of the Volcano, " contains, inter alia, recollections of and reflections on antisemitism in Poland in the 1920s.

"...a scholarly yet readable book...pioneering work" Journal of Jewish Studies Based on numerous in-depth and personal interviews with members of three generations, this is the first comprehensive study of German-Jewish refugees who came to England in the 1930s. The author addresses questions such as perceptions of Germany and Britain and attitudes towards Judaism. On the basis of many case studies, the author shows how the refugees adjusted, often amazingly successfully, to their situation in Britain. While exploring the process of acculturation of the German-Jews in Britain, the author challenges received ideas about the process of Jewish assimilation in general, and that of the Jews in Germany in particular, and offers a new interpretation in the light of her own empirical data and of current anthropological theory. Marion Berghahn, Independent Scholar and Publisher, studied American Studies, Romance Languages and Philosophy at the universities of Hamburg, Freiburg and Paris. These subjects, together with history, later on formed the basis of her scholarly publishing program.

This pictorial history of Jewish life in Germany in the 1930s before the Holocaust, shows the stories of individuals, their increasing poverty, sad wisdom and enduring love in the years leading up to World War II.

"The author's search for the annihilated Polish community captured in his grandfather's 1938 home movie. Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome color film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community--an entire culture--that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four-year journey to identify the people in his grandfather's haunting images. His search takes him across the United States; to Canada, England, Poland, and Israel; to archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty-six-year-old man who appears in the film as a thirteen-year-old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival--a monument to a lost world"--

A seminal text in Jewish thought accessible to English readers for the first time. The diagnosis of Jewish self-hatred has become almost commonplace in contemporary cultural and political debates, but the concept’s origins are not widely appreciated. In its modern form, it received its earliest and fullest expression in Theodor Lessing’s 1930 book Der jüdische Selbsthaß. Written on the eve of Hitler’s ascent to power, Lessing’s hotly contested work has been variously read as a defense of the Weimar Republic, a platform for anti-Weimar sentiments, an attack on psychoanalysis, an inspirational personal guide, and a Zionist broadside. “The truthful translation by Peter Appelbaum, including Lessing’s own footnotes, manages to make this book more readable than the German original. Two essays by Sander Gilman and Paul Reitter provide context and the wisdom of hindsight.”—Frank Mecklenburg, Leo Baeck Institute From the forward by Sander Gilman: Theodor Lessing’s (1872–1933) Jewish Self-Hatred (1930) is the classic study of the pitfalls (rather than the complexities) of acculturation. Growing out of his own experience as a middle-class, urban, marginally religious Jew in Imperial and then Weimar Germany, he used this study to reject the social integration of the Jews into Germany society, which had been his own experience, by tracking its most radical cases.... Lessing’s case studies reflect the idea that assimilation (the radical end of acculturation) is by definition a doomed project, at least for Jews (no matter how defined) in the age of political antisemitism.

Hugo Gryn made a huge impression on the general public with his Radio 4's The Moral Maze: his wisdom, humour and compassion shone through the programme so that his sudden death in 1996 was greeted with great sadness. Few people knew though of his extraordinary life. This book consists of two separate memoirs written 40 years apart, which tell of his idyllic childhood in Berehovo in the Carpathian mountains and the increasing shadows thrown by the Nazis - until Hugo and his family were deported to Auschwitz. He describes the horrors but also the small acts of human courage and kindness.