Though James II is often depicted as a Catholic despot who imposed his faith, Scott Sowerby reveals a king ahead of his time who pressed for religious toleration at the expense of his throne. The Glorious Revolution was in fact a conservative counter-revolution against the movement for enlightened reform that James himself encouraged and sustained.

It charts the limits of representation within the royal theater where Whig playwrights were challenging Stuart mythography, before moving out onto the streets where the contracts of representation were less circumscribed by royal interests. It was on the streets of London that the Whig party staged massive civic performances - the Pope-Burning pageants - that allowed the circulation of the Exclusion platform."--BOOK JACKET.