In Reliving the Trenches, three plays written by returned soldiers who served in the Great War with the Canadian Expeditionary Force in France and Belgium appear in print for the first time. With a critical introduction that references the authors' service files to establish the plays as memoirs, these plays are an important addition to Canadian literature of the Great War. Important but overlooked war memoirs that relive trench life and warfare as experienced by combat veterans, the three plays include The P.B.I., written and staged in 1920 by recently returned veterans at the University of Toronto. Parts of this play appeared in print in serial form in 1922. Glory Hole, written in 1929 by William Stabler Atkinson, and Dawn in Heaven, written and staged in Winnipeg in 1934 by Simon Jauvoish, have never been published. These plays impact Canadian literature and theatre history by revealing a body of previously unknown modernist writing, and they impact life writing studies by showing how memoirs can be concealed behind genre conventions. They offer fascinating details of the daily routines of the soldiers in the trenches by bringing them back to life in theatrical re-enactment.

Whilst out walking one day in the shade at the age of thirty-six, with the First World War looming, Edward Thomas decided to become a poet. In the few years that followed, believing he belonged nowhere, he tramped across rolling chalk downland, stitching himself to the landscape. Gently slanting from the door of his stone cottage, the South Downs – a range of chalk hills that extend across the southeastern coastal counties of England from Hampshire in the west to Sussex in the east – became day by day the mainspring of his poetry. As a perennial poet and essayist of the South Downs, Edward Thomas remains an enduring presence a century later in the downland he trampled daily, treading and documenting a series of paths around the village of Steep, East Hampshire, where he lived until enlisting. Arranging itself around a number of journeys in pursuit of the early twentieth century poet and nature writer, this book provides a personal and moving tale of encountering literature in landscape, retreading Edward Thomas’s footprints from the beginning of his epically creative final four years, to the site where he died in 1917, during the Battle of Arras.

You’re no idiot, of course. You know that World War I was “the Great War,” and you’re familiar with its images: muddy trenches, poison gas, and a no–man’s–land of craters and barbed wire. But when it comes to understanding its causes, why it dragged on for four years, and how it set the stage for World War II, you’re lost behind enemy lines. Don’t wave the white flag just yet! The Complete Idiot’s Guide® to World War I gives you a comprehensive overview of the first global war, from the assassination of the Archduke Franz Ferdinand to the Treaty of Versailles. In this Complete Idiot’s Guide®, you get: • Broad coverage of the secret treaties and en-tangling alliances that led to war • Comprehensive analysis of some of history’s bloodiest battles, including the Somme, Tannenburg, Gallipoli, and Belleau Wood • Expert commentary on the development of weapons such as the tank, the dreadnought battleship, poison gas, and the German U-boat • Valuable insights into the war’s influence on this century’s political and cultural development

The Author was among the first to respond to Kitchener’s call for volunteers in 1914. He joined 8th Battalion, The Leicestershire Regiment at the outbreak of war as a Private and, within weeks, he and the Battalion were heading for Northern France with the British Expeditionary Force. In this superb memoir we see how the spirit of adventurous patriotism that carried him to war gradually turns to sober reflection as the fighting intensifies and he loses so many friends and comrades at the Battles of the Somme and the Marne. In 1917 he is commissioned into the Royal Sussex Regiment and makes a long, hazardous journey to Egypt to join his new battalion only to be recalled to take part in the Second Battle of the Marne, where his leadership and bravery win him the Croix de Guerre. Written with great modesty and insight, Dick Read’s account contains a wealth of graphic descriptions of his experiences over the whole period of The Great War including the Somme 1916, Hindenburg Line, Egypt, Flanders and the Final Advance. The book is further enhanced by the inclusion of excellent drawings by the Author himself. Many memoirs will be published to commemorate the Centenary of ‘the War to end all Wars’ but it can be said with confidence that Of Those We Loved is unlikely to be bettered. It makes for gripping reading both at home and as a companion on any visit to the Battlefields. Refined over the years, but retaining a rare sense of authenticity, this is a moving personal record of a survivor’s war and a profoundly moving epitaph for a lost generation.

This book offers readings of Barker's innovations in narrative form, her revisionist perspectives on history, class and gender, and her preoccupation with themes of trauma, haunting and terror. It also analyzes the reasons for her success and significance as a novelist. The chapters draw on contemporary theories of critical realism, gender and social identities, memory and narrative, in order to outline the debates with which Barker's work has consistently engaged.

This essential introductory guide provides a comprehensive critical survey of the diverse and rich body of literary writing produced in England in the postwar period. John Brannigan explores the relationship between literature and history, and analyses how poets, playwrights and novelists have revisited notions of Englishness, represented Englands of the past, and sought to make new 'maps' of English culture and society. Orwell to the Present: Literature in England, 1945-2000 combines original readings of familiar texts with wide-ranging explorations of the principal themes and historical and cultural contexts of literature since the end of the Second World War. Writers considered in detail include: Martin Amis, Simon Armitage, Pat Barker, John Betjeman, Edward Bond, Angela Carter, Margaret Drabble, Sarah Kane, Mark Ravenhill, Jean Rhys, Salman Rushdie, Sam Selvon, Graham Swift and Evelyn Waugh.