Kurt Behrendt in this book for the first time and convincingly offers a description of the development of 2nd century B.C.E. to 8th century C.E. Buddhist sacred centers in ancient Gandhara, today northwest Pakistan.

Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. ‘Gandhara’ is also the term given to this region’s sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara – from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) – as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.

In Pakistan's northwest, a sequence of temples built between the sixth and the tenth centuries provides a missing chapter in the evolution of the Hindu temple in South Asia. Combining some elements from Buddhist architecture in Gandharā with the symbolically powerful curvilinear Nāgara tower formulated in the early post-Gupta period, this group stands as an independent school of that pan-Indic form, offering new evidence for its creation and original variations in the four centuries of its existence. Drawing on recent archaeology undertaken by the Pakistan Heritage Society as well as scholarship from the Encyclopaedia of Indian Temple Architecture project, this volume finally allows the Salt Range and Indus temples to be integrated with the greater South Asian tradition.