Pentecostalism is one of the most rapidly expanding religious-cultural forms in the world. Its rise in popularity is often attributed to its successfully incorporating native cosmologies in new religious frameworks. This volume probes for more complex explanations to this phenomenon in the favelas of Brazil, once one of the most Catholic nations in the world. Based on a decade of ethnographic fieldwork in Rio de Janeiro and drawing from religious studies, anthropology of religion, and media theory, Transmitting the Spirit argues that the Pentecostal movement’s growth is due directly to its ability to connect politics, entertainment, and religion. Examining religious and secular media—music and magazines, political ads and telenovelas—Martijn Oosterbaan shows how Pentecostal leaders progressively appropriate and recategorize cultural forms according to the religion’s cosmologies. His analysis of the interrelationship among evangélicos distributing doctrine, devotees’ reception and interpretation of nonreligious messaging, perceptions of the self and others by favela dwellers, and the slums of urban Brazil as an entity reveals Pentecostalism’s remarkable capacity to engage with the media influences that shape daily life in economically vulnerable urban areas. An eye-opening look at Pentecostalism, media, society, and culture in the turbulent favelas of Brazil, this book sheds new light on both the evolving role of religion in Latin America and the proliferation of religious ideas and practices in the postmodern world.

For a generation, the Catholic Church in Brazil has enjoyed international renown as one of the most progressive social forces in Latin America. The Church's creation of Christian Base Communities (CEBs), groups of Catholics who learn to read the Bible as a call for social justice, has been widely hailed. Still, in recent years it has become increasingly clear that the CEBs are lagging far behind the explosive growth of Brazil's two other major national religious movements—Pentacostalism and Afro-Brazilian Umbanda. On the basis of his extensive fieldwork in Rio di Janeiro, including detailed life histories of women, blacks, youths, and the marginal poor, John Burdick offers the first in-depth explanation of why the radical Catholic Church is losing, and Pentecostalism and Umbanda winning, the battle for souls in urban Brazil.

Ayahuasca is a psychoactive drink used for healing and divination among religious groups in the Brazilian Amazon. 'Ayahuasca, Ritual and Religion in Brazil' is the first scholarly volume in English to examine the religious rituals and practices surrounding ayahuasca. The use of ayahuasca among religious groups is analysed, alongside Brazilian public policies regarding ayahuasca and the handling of substance dependence. 'Ayahuasca, Ritual and Religion in Brazil' will be of interest to scholars of anthropology and religion and all those interested in the role of stimulants in religious practice.

The Brill Handbook of Contemporary Religions in Brazil provides an unprecedented overview of Brazil’s religious landscape. It offers a full, balanced and contextualized portrait of contemporary religions in Brazil, bringing together leading scholars from both Brazil and abroad, drawing on both fieldwork and detailed reviews of the literatures. For the first time a single volume offers overviews by leading scholars of the full range of Brazilian religions, alongside more theoretically oriented discussions of relevant religious and culture themes. This Handbook’s three sections present specific religions and groups of traditions, Brazilian religions in the diaspora, and issues in Brazilian religions (e.g., women, possession, politics, race and material culture).

Monteiro.--John A. Coleman "Theological Studies"

The Umbanda religion summons the spirits of old slaves and Brazilian Indians to speak through the mouths of mediums in trance. Its practitioners worship African gods, often calling them by the names of Catholic saints; simultaneously embrace the concepts of karma, reincarnation, and Christian charity; and believe in the capacities of both modern science and ancient magic. A relatively new religion dating to the beginning of the twentieth century, Umbanda has its origins in Rio de Janeiro and its surrounding urban areas where Afro-Brazilians, many ex-slaves or the descendants of slaves, practiced versions of the religion handed down to them by their ancestors. Umbanda's popularity has grown tremendously over the past century, attracting not only those who seek the assistance of spirits in solving problems in their lives, but those in pursuit of a path to a rich spiritual life and a fellowship of faith and service. Over the course of nearly a decade, Lindsay Hale spent countless hours attending rituals and festivals and interviewing participants of Umbanda, immersing himself in this fascinating religious world. In describing its many aspects and exploring its unique place within the lives of a wide variety of practitioners, Hale places Umbanda spiritual beliefs and practices within the broader context of Brazilian history and culture.

The Diaspora of Brazilian Religions explores the global spread of religions originating in Brazil, a country that has emerged as a major pole of religious innovation and production. Through ethnographically-rich case studies throughout the world, ranging from the Americas (Canada, the U.S., Peru, and Argentina) and Europe (the U.K., Portugal, and the Netherlands) to Asia (Japan) and Oceania (Australia), the book examines the conditions, actors, and media that have made possible the worldwide construction, circulation, and consumption of Brazilian religious identities, practices, and lifestyles, including those connected with indigenized forms of Pentecostalism and Catholicism, African-based religions such as Candomblé and Umbanda, as well as diverse expressions of New Age Spiritism and Ayahuasca-centered neo-shamanism like Vale do Amanhecer and Santo Daime. Contributors include Ushi Arakaki, Dario Paulo Barrera Rivera, Brenda Carranza, Anthony D'Andrea, Sara Delamont, Alejandro Frigerio, Alberto Groisman, Annick Hernandez, Clara Mafra, Cecília Mariz, Deirdre Meintel, Carmen Rial, Cristina Rocha, Camila Sampaio, Clara Saraiva, Olivia Sheringham, Neil Stephens, José Claúdio Souza Alves, Claudia Swatowiski, and Manuel A. Vásquez.