"This book examines the unique synergy between religion and technology, and explores the many ways that technology is shaping religious expression, as well as ways that religion is coming to influence technology"--Provided by publisher.

Blaspheming artists get all the press. Some exploit the shock potential of religious imagery - but many also reflect deeply on spiritual matters and are, in fact, some of the most profound and sensitive commentators on religion today. Here, Aaron Rosen shows how religious themes and images permeate the work of contemporary artists from across the globe. Contrary to the expectations of twentieth-century rationalists, religion has not faded away in the 21st century, but roared back onto the scene with renewed vitality. This survey shows how religious themes and images continue to permeate the work of contemporary artists from across the globe. Some exploit the shock potential of religious imagery, but many also reflect deeply on spiritual matters. The introduction outlines the debates and controversies that the art-religion connection has precipitated throughout history. Each of the book's chapters opens by introducing a theme - ideas about creation, the sublime, wonder, diaspora and exile, religious and political conflict, ritual practice, mourning and monumentalizing, environmental art and sacred space - followed by a selection of works of art that develop that theme. The book encompasses a wide range of media and genres, from sculpture to street art, and considers faith in its broadest sense - from Islam and Christianity to Aboriginal mythology and meditation. Artists discussed include Ai Weiwei, Francis Alÿs, Vanessa Beecroft, Maurizio Cattelan, Cristo and Jeanne-Claude, Olafur Eliasson, Tracey Emin, Antony Gormley, Mona Hatoum, David LaChapelle, Richard Long, Annette Messager, Mariko Mori, Grayson Perry, Richard Serra, Hiroshi Sugimoto, Bill Viola, Mark Wallinger and more.

In spite of the debate about secularization or de-secularization, the existential-bodily need for religion is basically the same as always. What have been changed are the horizons within which religions are interpreted and the relationships within which religions are integrated. This book explores how religions continue to challenge secular democracy and science, and how religions are themselves being challenged by secular values and practices. All traditions - whether religious or secular - experience a struggle over authority, and this struggle seems to intensify with globalization, as it has brought people around the world in closer contact with each other. In this book internationally leading scholars from sociology, law, political science, religious studies, theology and the religion and science debate, take stock of the current interdisciplinary research on religion and open new perspectives at the cutting edge of the debate on religion in the 21st century.

This survey considers the global religious situation at the approach of the new millennium. It provides an introduction to a variety of new religious movements, and examines the role of the Interfaith Movement as well as the use of modern technology.

Why is religion still around in the twenty-first century? Why do so many still believe? And how do various traditions still shape the way people experience everything from sexuality to politics, whether they are religious or not? In Why Religion? Elaine Pagels looks to her own life to help address these questions. These questions took on a new urgency for Pagels when dealing with unimaginable loss—the death of her young son, followed a year later by the shocking loss of her husband. Here she interweaves a personal story with the work that she loves, illuminating how, for better and worse, religious traditions have shaped how we understand ourselves; how we relate to one another; and, most importantly, how to get through the most difficult challenges we face. Drawing upon the perspectives of neurologists, anthropologists, and historians, as well as her own research, Pagels opens unexpected ways of understanding persistent religious aspects of our culture. A provocative and deeply moving account from one of the most compelling religious thinkers at work today, Why Religion? explores the spiritual dimension of human experience.

This volume focuses on religion from a trans-cultural and international perspective. Its aim is to open up new perspectives on how religions might coexist peacefully within 21st century societies and simultaneously contribute to global pacification. Can a religion cope peacefully with the existence of other religions, without having to abandon its own claim to truth, and if so, what already inherent, specific characteristics would have to be emphasized? Or is secular culture the path to convince different religions of a shared ideal of peaceful co-existence? These questions are approached considering the socio-political implications of religions in Asian, African, Latin-American and European contexts. This collection of essays reflects on the entire spectrum of the highly topical and complex academic discussions pertaining to the interrelation of society, state and religion. One example in this collection features the analysis of a secular state engaging in dialog with Muslim communities through a state-moderated communication platform; another article concentrates on the political impact of Christian churches on Nigerian society by means of political advertisement. Moreover, the different concepts of religion in Western societies are considered: one essay argues that in democratic societies it is the state that must guarantee the freedom of religion and thereby provide the basis for a peaceful co-existence between all religions.