Drawing on sermons and extensive source material from the mid-Victorian religious press, this innovative reappraisal of the Great Exhibition of 1851 shows that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups.

The Great Exhibition of 1851 is routinely portrayed as a manifestly secular event which was confined to celebrating the success of science, technology, and manufacturing in the mid-Victorian age. Geoffrey Cantor presents an innovative reappraisal of the Exhibition, demonstrating that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups. Prince Albert bestowed legitimacy on the Exhibition by proclaiming it to be a display of divine providence whilst others interpreted it as a sign of the coming Apocalypse. With anti-Catholic feeling running high following the recent 'papal aggression', many Protestants roundly condemned those exhibits associated with Catholicism and some even denounced the Exhibition as a Papist plot. Catholics, for their part, criticized the Exhibition as a further example of religious repression. Several evangelical religious organisations energetically rose to the occasion, considering the Exhibition to be a divinely ordained opportunity to make converts, especially among 'heathens' and foreigners. Jews generally welcomed the Exhibition, as did Unitarians, Quakers, Congregationalists, and a wide spectrum of Anglicans - but all for different reasons. Cantor explores this diversity of perception through contemporary sermons, and, most importantly, the highly differentiated religious press. Taken all together these religious responses to the Exhibition shed fresh light on a crucial mid-century event.

In this revision of his dissertation (in religion, at U. of California, Santa Barbara), Burris (religious studies, Stetson U.) explores the development of a comparative study of religion as this can be deduced from the exhibits on world religion and culture at 19th-century world expositions. The book's four main themes are: the colonial mindset of the exhibiting of cultures and their religions, the effect of evolutionary theory on the defining of American religious and social hierarchies, the role of the expositions in popularizing the theory of social evolution, and the denigration of "primitive" peoples and their religions through comparative display. The text is as much cultural studies as religious studies and will appeal to those interested in American societal and intellectual trends of this period. Annotation copyrighted by Book News, Inc., Portland, OR

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This book examines Anglo-Italian political and cultural relations and analyses the importance of religion in the British 'Orientalist' perception of Italy. It puts religion at the centre of a harsh political and cultural war, one that was fought on international, diplomatic, and domestic levels.

The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.

An examination of world's fairs in Britain and its two most important 19th-century colonies, Australia and India; arguing that the fairs provided a forum for shaping both national and imperial identities.